Isabelle Julien

Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.

During his birthday’s celebration, Prince Siegfried must choose a bride. Trying to escape reality, he dreams of a perfect love. His tutor tries to bring him down to Earth and reminds him of his duties. On a dreamlike getaway, the prince meets Odette, a princess who has been transformed into a swan by the powerful sorcerer Rothbart. Only true love can break the spell. Captivated, Siegfried promises Odette to save her and invites her to his party. To trap the prince, the sorcerer sends his daughter Odile, disguised as Odette, to seduce him.

The production by Calixto Bieito extracts all the potential from this work in a most convincing and spine-chilling way. The action takes place in a closed society of the 1950s, taking this story of witchcraft, sex and religion to the realism of imitation leather sofas, crochet cardigans, medical abuse and child molestation.

At the crossroads of arts, bodies and images merge to create a world of poetry and dreams.

Inspired by Charles Perrault's famous fairy tale "The Sleeping Beauty," choreographer Jean-Christophe Maillot homes in on the theme of abstinence and virtue vs. carnal desire in this bewitching ballet. Performed by Les Ballets de Monte-Carlo and featuring the music of Pyotr Tchaikovsky, this enchanting production won the Nijinsky Award for Best Choreographic Production 2001 and the Danza & Danza Prize for Best Show 2002.

No description available.

Bernadette Soubirous, just 14 years old, goes by the river near the Massabielle cave. It is there that, for the first time, a “lady dressed in white” appears to her. Accused of lying, Bernadette’s revelation initially provokes mistrust and tensions in her family, drawing the wrath of civil and ecclesiastical authorities. The rumor spreads. Pilgrims begin to converge. Lourdes goes down in History.

At the Teatro Real in Madrid, director Laurent Pelly and conductor Giacomo Sagripanti get to grips with Gioachino Rossini’s Il Turco in Italia (The Turk in Italy) – a delightful opera buffa teeming with colourful characters!

Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson… The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

The ultimate romantic ballet, performed by former Bolshoi Ballet principals Olga Smirnova and Jacopo Tissi, who fled Russia and joined the Dutch National Ballet, where this production is filmed. The young peasant girl Giselle falls in love with Albrecht, a nobleman already betrothed who hides his true identity from her. When she learns the truth, she becomes mad and dies. Against her own will, Giselle joins the Wilis: vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion.

Carmen: Impetuous Carmen seduces Don José in order to convince him to let her out of jail. Once outside, she thinks she’s finally free before realizing that she’s in fact prisoner of a love triangle: she wants to be with the famous Torero Escamillo, but she can’t make Don José go away. Petruska: At Saint-Petersburg’s carnival, three puppets are playing the same role over and over: the unhappy lover Petrushka, the coquette and a Moor. Fed up with this endless part that never goes well for him, Petrushka attacks his rival and flees from the puppets theater. Carmen Suite, staged by Alberto Alonso, is a one act ballet about a passionate, free-spirited woman caught in a love triangle. Stanislavsky’s Petrushka, choreographed by Edward Clug, encapsulates the story of a puppet that came to life, burdened by the human emotions of love, jealousy, and rage. Both stories envelop the characters which refuse to abide by the rules, to whom even the thought of submission is repulsive.

Benjamin Millepied and the L.A. Dance Project join forces with Esa-Pekka Salonen and the Orchestre de Paris to celebrate Pierre Boulez through dance. A performance to mark the composer's centenary, followed by works by Stravinsky and Bartók.

Under the baton of charismatic Finnish conductor Esa-Pekka Salonen, the Orchestre de Paris performs Olivier Messiaen's most famous work: The ambitious and beguiling Turangalîla-Symphonie.

The Radio France Philharmonic Orchestra, Bastien Stil and Nathan Mierdl transport the Radio France Auditorium into the spellbinding world of John Williams. From Jurassic Park to Harry Potter, rediscover legendary melodies from Hollywood cinema.

No description available.

The French Youth Orchestra showcases young French artists aged 16 to 25. Accompanied here by pianist Alexandre Tharaud, the ensemble performs works by Shostakovich, Maresz, and Rimsky-Korsakov.

Invited to the Philharmonie de Paris, the virtuoso Yuja Wang performs a programme of Maurice Ravel's two piano concertos, conducted by Klaus Mäkela.

At the Lyon Dance Biennale, Aina Alegre, the Grenoble National Choreographic Centre and STUDIO FICTIF celebrate the legacy of Carmen Amaya, who revolutionised flamenco in the 1930s.

Choreographer Marcos Morau and the Ballet Nacional de España combine their choreographic work with the images of Colombian photographer Ruvén Afanador.