Hiroyuki Toritani

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.

The hardened veteran detective Rena and bright-eyed rookie Sato take on a menial investigation. The job goes well until a thug named Dobu steals their evidence. Disheartened, they take a job looking into the life of a taxi driver named Odokawa in hopes of redeeming themselves. They wind up in the middle of a missing girl case, with gangsters, aspiring students, and surprises around every corner.

After her ex-cop father is murdered on Christmas Eve, Komugi finds a letter hinting at a dark conspiracy and teams up with a lawyer to uncover the truth.

A young detective is reassigned to media relations, uncovering the drama and secrets behind the headlines while helping solve crimes.

Tokyo Bay Water Police, formed to combat rising maritime crime in under-patrolled waters contrasting land's high-surveillance success, unites a fractured team of officers—a veteran leader, an ambitious transfer detective, and a skilled marine engineer—whose clashing backgrounds evolve into collaborative resilience as they solve coastal crimes and protect Tokyo’s waterways.

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Nitobe and Sakamoto are childhood friends who now work at the front desk of a capsule hotel. Nitobe has a particular fondness for philosophy and crustaceans. Sakamoto, meanwhile, is fixated on suicide. The capsule hotel draws a variety of guests, including a Finnish mother who has lost her child, a fugitive woman, and a researcher studying Daphnia. None of their lives ever intersect. They exist, but never cross, like cells in a capsule hotel. The themes of life and death are explored through a fragmentary view of the characters’ lives.

Suzuki Rara is left behind in the countryside due to mischief. She becomes a YouTuber, goes both crazy and offbeat. Wearing an eye-patch, loose track pants and often holding a sledgehammer she begins interacting with the locals, families and visitors.

One by one, everyone falls asleep forever.

Mitsue returns to Japan after the disillusionment of a work opportunity in Singapore. Resuming her past life, she treads between friendships with a former lover and a new co-worker, while finding her footing despite being constantly on the move. A sense of alienation follows her from city to city as the young urbanite looks for novelty and adventure, but struggles to find a place to call home. Through beautiful vignettes of Mitsue’s encounters with familiar faces as well as strangers, this gentle drama invites us to dwell on the stops one makes in a journey of self-discovery.

Dr. Noboru Sakai was a genius, but an odd one who, for some reason, always conducted his research hanging upside-down. One day, a new secretary named Margaret arrives at his laboratory. Claiming to be "perfect," she begins a strange life alongside the "upside-down genius" doctor.