Paolo Soravia

Fernanda, a 19-year-old Brazilian trans woman, travels to Milan and becomes a sex worker to finance her sex change operation.

The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade. The repertoire materials and landscapes integrate the chorus of testimonies from friends, collaborators, artists, and critics with the same mysterious serenity of the artist's voice.

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On the background of a country in deep crisis, an office clerk decides to ride to work even though he might be fired soon. He crosses the inner borders of a ghost-like deserted city, surrounded by raw vegetation taking over everything. When the chain of his bike suddenly entangles, he is confronted by the only man around offering support: a homeless foreigner…

Radura is the idea of ​​a public space for decongestion– a place to stop, rest and wait. Radura is a project of an open space with a permeable perimeter, placed within a larger open space. Radura is an urban device to dilute the intensity of flows and movements. Radura is the experience of sound atmosphere in counterpoint to urban beats.