Canan Samadi

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

First Police Chief Inspector Vera Lanz, a Munich police detective, attempts to balance her professional and private life.

Ambitious Jana is confronted with the unscrupulous machinations of the world of finance. Her working life is determined by egotism, the pressure to succeed and machismo. She soon has to decide how far she is prepared to go for her career.

A politically sensitive murder forces two disparate detectives into a battle with the Berlin underworld and a confrontation with their own corruption.

When one of her students is suspected of theft, teacher Carla Nowak decides to get to the bottom of the matter. Caught between her ideals and the school system, the consequences of her actions threaten to break her.

While Kurdish gigolo Baran dreams of a future in Europe, German pilot Marion is struggling to come to terms with her cancer diagnosis. When the two meet at the Turkish holiday resort of Marmaris, they engage in a kind of double-cross and decide to enter into a sham marriage. After a promising beginning, a shared future seems well within their reach. But things turn out not to be quite as simple as that.

Paul seeks happiness in other people’s possessions. In the beginning he searches through his dead friend’s belongings, but soon he starts stealing other people’s things, delving into their lives and changing them radically. The painter Anna does not show her works to anyone until Paul appears and changes her paintings forever. Even the manager Katrin, who numbs herself with alcohol and sexual escapades after work, sees herself forced to rearrange her life.

Juno is dead. As advanced as medicine is in the year 2030, it couldn't save Hanna's daughter's life. Juno has not been around for two years now and yet Hanna spends every day with her. There is a cube in Juno's nursery, the "Echoehub". The device is controlled by an artificial intelligence that can be fed information about the deceased and calculates possible scenarios that the deceased could have experienced in the future. Again and again, Hanna lives through new scenarios in which she accompanies Juno through all the happy milestones that she can no longer experience. Hanna's wife Paula initially thought the AI in the children's room was a good way of grieving, but over the past few months she has increasingly reached her limit. She decides to put her wife into cold turkey, but what she didn't expect was the drastic measures Hanna is prepared to take in her search for happiness.