Adri Schrover

How do you interpret the Ten Commandments today? For a long time, these commandments guided our thoughts and actions, but how do people relate to these rules, to each other, and to today's complex society? Ten filmmakers of varying ages, backgrounds, and experience have explored the deeper meaning of these ancient rules. In the documentaries, they are contrasted with today's multicultural, globalized, and secularized world. A series of ten highly diverse documentaries, each addressing one commandment in its own unique way. The films explore contemporary themes such as identity, friendship, addiction, postcolonialism, morality, and the human impact on nature.

The film is about researcher Victor Dreissen. At his research institute, he discovers songs from Drenthe dating back to the beginning of the last century. These songs are special. They are about crimes that were committed and never solved. One song in particular captivates Victor Dreissen. He falls in love with the voice in the song and travels to Drenthe in search of its origins and background. He does not yet know that anyone who wants to sing or pursue these songs will never return.

Documentary about the role of public broadcasting during the German occupation during the Second World War. A number of public broadcasters adopted a cooperative approach, allowing them to be used as a propaganda apparatus for the Nazis. An attitude with very far-reaching consequences.

Documentary about the Dutch author, illustrator and performer Joke van Leeuwen, who has won various awards for her literature for children which sometimes uses a quest as a theme.

Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

Anthon is renowned physicist researching Dark Matter - particles we know nothing about, but of which 95% of our universe consists of. Anthon's life is turned upside down when his eleven years old son Thomas is kidnapped by Elena, a mysterious woman. From that moment Anthon not only has to go look for his son, but also for himself. Dark Matter is a reflection on the dark mysteries of our universe and how we relate to the unknown.

Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.

Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.

At the end of 2003 the main building of the Amsterdam Rijksmuseum has closed, in the words of managing director Ronald de Leeuw, becoming 'the most conceivable art museum'. The Spanish architects Cruz and Ortiz signed for the big design; in 2008 the modernized museum would open with a pioneering museum concept. Moviemaker Hoogendijk followed the first four years of what is called the biggest Dutch cultural operation in history.

An intimate portrait of the Dutch filmmaker George Sluizer, best-known for The Vanishing (1988).

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

In 1990, the beheaded body of a young woman was found in a Rotterdam canal. The body remained unidentified until 2008, when new DNA techniques revealed that the victim was the American model Melissa Halstead. A joint investigation by the Rotterdam cold case unit and their colleagues in the United Kingdom led to John Sweeney. Sweeney is known to have a tumultuous relationship with Halstead – as evidenced by the many lurid drawings he made during their time together in Amsterdam.

Kees suffers from Parkinson's disease. This puts pressure on his relationship with his beloved Carmen. If a cure is not forthcoming, an almost inhuman, devilish dilemma presents itself.

6 February 1998, Port Arthur, Texas: Erin is home alone. She is about to watch a film when a masked man suddenly appears in the living room. She thinks it’s a friend joking around. 12 June 2013, Huntsville, Texas: In Huntsville State Penitentiary, preparations are underway for execution #499. A little after 6pm, Elroy Chester will be executed by lethal injection for the rape of Erin and Claire DeLeon and the murder of their uncle, fireman Billy Ryman. Killing Time reconstructs an old murder, and shows the impact on the family members and victims during the day of execution. The family of the victims and the prisoner, the guards in the towers, the pastors, the journalists, the handful of demonstrators: everyone has his own way of killing the last few hours of Elroy Chester’s life. Where one yearns for the long-anticipated closure of the case, the other faces oblivion

Alan Lomax (1915-2002) was a song collector who recorded ordinary people, who gave their heart and soul in front of his microphone. The film maker decides to search for people Lomax recorded, travelling through Europe in an old Volkswagen. His journey leads him past desolate Scottish islands, through the withered interior of Spain and to isolated Italian mountain villages. The search is combined with conversations with colleagues and friends of Lomax. Throughout the movie, every now and then we return to a frail but happy 86-year old Lomax. In this passionate and musical roadmovie we slowly discover why folk music can be so pretty and what could have once possessed the legendary Alan Lomax.

Dicky bears the full weight of the small, financially unstable family circus on her shoulders. She has an ambivalent relationship with her brother-in-law Willy, who is the widower of Dicky's deceased sister Jena. Dicky takes care of Willy's little son Timo, and treats him as if he is her own son. When Willy's parents suggest Timo should go to a boarding-school to get a normal education, Dicky is very much upset. She cannot understand why Willy doesn't support her and why he thinks of putting his own son away. Young Tunisian tent builder Tarek has just arrived to work in the circus. Because Willy drinks a lot and often gets aggressive, Dicky spends more and more time in Tarek's company. Slowly but surely already faltering relationships start disrupting the circus. Dicky realizes that she must make a drastic choice. This is not the choice between the two men in her life, but between her love for little Timo, her loyalty to her family and the circus, and her own personal freedom.

We think we know what ethnic profiling is, but what does it feel like? Dutch citizens report on at times bizarre and disconcerting experiences with police checks, where their skin colour routinely makes them suspicious. For years, the police has been aiming to proactively execute security checks in order to arrest more riff-raff. But practise shows that Dutch people with a migration background are regularly stopped without any suspicion of criminal offences. Poignantly, the teacher, the soldier, the lawyer, the rapper, the fellow police officer and other coloured Dutchmen talk about helplessness, frustration, humiliation, alienation, anger and what it feels like to be a suspect from the start. Wry, but insightful indictment of ethnic profiling.

In Tussenland kruisen de paden van twee 'ontheemden': de illegaal in Nederland verblijvende jonge Soedanees Majok en de bejaarde, in zichzelf gekeerde oud-militair Jakob. Ondanks de onderlinge verschillen herkennen zij zichzelf in elkaar. Beiden dragen hun verleden als een last met zich mee. Jakob lijdt onder het verlies van zijn vrouw en is nooit in het reine gekomen met zijn oorlogservaringen in Nederlands Indië. Majok draagt de last van de 'vergeten oorlog' in zijn vaderland en de heimwee naar zijn geboortedorp dat hij is ontvlucht. Uit hun ontmoeting putten ze de kracht om afscheid te nemen van hun verleden, zodat hun onverwachte vriendschap weer zicht geeft op een toekomst.

No description available.

Elderly brothers Pierre and Willie Pittie still live together in their parental home in Bemelen, and are members of almost every local club. The small village of Bemelen resides five kilometres away from Maastricht and gradually changes under pressure of city officials and the rising tourist industry. A loving portrait of a small Limburg community against the backdrop of big, societal changes.