Noam Demsky

Follows the experiences of a group of "at risk" Jerusalem teenagers, who as part of the Martef drama therapy program are asked to interview the last surviving witnesses of the 1961 Eichmann trial, and create a play based on their stories.The young actors and the aging survivors at first have little in common and show no desire to communicate, but slowly there develops between them a bond of empathy and understanding.

Young parents Efrat and Ofir abandoned their newborn son Malachi due to a medical syndrome. Bat Sheva, a devoted midwife, chose to become his foster mother, giving him a new life. Interviews with Malachi’s biological parents, foster parents, and medical staff, combined with powerful animation, reveal the trauma of abandonment and its impact is revealed: the parents wrestling with guilt while longing for forgiveness, Bat Sheva’s boundless love, and Malachi’s journey to understand himself and his past. The film explores human complexity, responsibility, and the possibility of redemption amidst pain.

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Mentally handicapped Maurice is enthusiastically preparing for his brother's wedding. The family, however, dreads that Maurice's unpredictable behavior will spoil the occasion.

Osher, Michelle and Eitan were evicted from their homes as children and transferred to foster care. These are supportive and stable families, but with a specified expiration date - when the boy / girl turns 18. The biological families are in a state of dysfunction and are absent. The film accompanies the three towards the end of the last year as part of the foster care and the first year of independence. The personal relationship that develops between them provides them with a supportive, stable and shaky framework at the same time, similar to that between the drowning person and the straw. Without the protective patronage of the foster care framework that has loosened or expired completely, they are exposed and swayed to the wind when past traumas burned into their minds may erupt and crush at once what has been built, or seemed to have been built, with much toil and torment.

10 year old Yedidiah's collection is no ordinary collection. He collects spent mortar shells and lighting parachutes, all evidence of the complicated reality of life he is facing.