Acting
The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.
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Visitors young and old get up to fun antics and romance at a seaside hotel in Brittany, France.
The Dossiers of Inspector Lavardin is a French television series in four 90-minute episodes, created by Dominique Roulet and Claude Chabrol and broadcast between September 15, 1988 and February 1, 1990 on TF1. It follows the two films Chicken in Vinegar and Inspector Lavardin directed by Claude Chabrol and already featuring Jean Poiret in the role of Lavardin. This short series depicts the investigations of Inspector Lavardin, a tongue-in-cheek policeman known for his bad manners.
Romantic drama in which a young woman must learn to live with her past in order to finally move forward.
Ten young people (six boys and four girls), most of whom students, rent a house in bad repair and set about living together. The experience is not obvious and the ten tenants have to cope with more than one difficulty. But they also have their moments. Things really go awry when Françoise, an unmarried girl, is forced to deliver the baby she carries prematurely and when Solange, the lonely girl of the group, attempts suicide. Shortly afterwards, the group learns that the house is due for demolition. They decide to take advantage of this opportunity to face adult life individually.
The love affairs of Bob, a womanizer and seducer and Mammouth, the unhappy loner.
After her gynecologist tells her that her current involuntary celibacy could result in her being unable to enjoy sex in the future, Eva begins to consider ways that she could take active steps to get some action going in that area. Unfortunately, none of the men she currently knows are interested in going to bed with her, including her business partner, who just might be sexually attracted to trees but certainly isn't to her. That being the case, it is particularly galling that he gets jealous at the very notion of her having sex with business clients. Eva discusses these issues (and a great deal more) with her similarly forty-ish gal-pals.
A recently released safecracker returns to stealing in order to support his family. After several successful thefts, he decides to induct his teenage son into the 'family business'.
Genial and deceptively tentative insurance company detective Tom Lepski sets out to track down a valuable medieval Russian icon, stolen by master thief Bradley.
Three brothers are reunited on the occasion of the death of his mother. The three are in a difficult stage of their lives due to economic difficulties: Bernard is a failed actor, Didier pretends to be a professor of philosophy when, in fact, is selling sex toys and Pascal lives off a rich sexagenarian. Accompanied by Sara, the teenage daughter of Bernard, they live surprising encounters while new problems appear.
In this rambling comic tale about a man and a wife, with four children, who calmly announce to the children that they want to divorce one another, it is impossible to tell who is dissatisfied with whom about what. They had seemed to be a perfect couple. Their flabbergasted children have mixed feelings, and the most difficult thing about the divorce, besides understanding why it is taking place at all, is deciding what will happen with the couple's numerous pets.
Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.
In the 1960s, Evelyne, a 14-year-old teenager, reluctantly becomes her mother's confidante, who uses her as an excuse for romantic encounters with a work colleague. Evelyne finds this secret very difficult because she loves her father and her 12-year-old younger sister. One day, her mother leaves her husband and her two daughters. Evelyne, feeling guilty, tries to convince her to return home.
