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Jon Montes

Production

Known For

nîpawistamâsowin : We Will Stand Up
8.3

On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.

nîpawistamâsowin : We Will Stand Up

2019
Balakrishna
N/A

When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.

Balakrishna

2019
Stories Are in Our Bones
N/A

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Stories Are in Our Bones

2020
We Eat Shit
N/A

An unapologetic warning about how complacent we can be.

We Eat Shit

2017
Our Maternal Home
8.0

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

Our Maternal Home

2024
We Drink Too Much
N/A

An unapologetic take on the vicious cycle of earning too little and consuming too much.

We Drink Too Much

2017
Danny
N/A

A feature documentary about the life of former Newfoundland Premier, Danny Williams

Danny

2015
Good Luck to You All
N/A

A little girl plays with her toys, blissfully unaware that she may hold the future of humanity in her hands. Good Luck to You All blends innocence, hope and panic, exploring AI’s unanswered questions with whimsy and unease.

Good Luck to You All

2025
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N/A

This short experimental documentary about memory and music follows a young Cuban couple charting a new course for their lives on an island in the North Atlantic.

Song for Cuba

2014
54 Hours
N/A

54 Hours is a remarkably vivid account of the 1914 tragedy in which 132 men were stranded on the ice during a severe snowstorm off the coast of Newfoundland. Seventy-eight men froze to death on the ice pack.

54 Hours

2014
Hipster Headdress
N/A

An unapologetic confrontation of cultural appropriation and everything that’s wrong with hipsters in headdresses. The takeaway? Just don't do it.

Hipster Headdress

2017
All We Need Is War
N/A

An ode to what can happen when Man plays God.

All We Need Is War

2017
Assez French
N/A

At her family’s cabin on Wakaw Lake, Saskatchewan, renowned Fransaskois singer-songwriter Alexis Normand invites audiences into a series of candid exchanges about belonging and bilingualism on the Prairies.

Assez French

2023
To Wake Up the Nakota Language
N/A

“When you don’t know your language or your culture, you don’t know who you are,” says 69-year-old Armand McArthur, one of the last fluent Nakota speakers in Pheasant Rump First Nation, Treaty 4 territory, in southern Saskatchewan. Through the wisdom of his words, Armand is committed to revitalizing his language and culture for his community and future generations.

To Wake Up the Nakota Language

2018
Mystery of the Secret Room
N/A

Mystery of the Secret Room takes viewers on a spellbinding voyage between the real and the imaginary. An inspiring portrait of family, adversity, and resilience, this richly hued animated short tells the tale of 10-year-old Grace, who uses her creative superpowers to navigate the emotional landscape of her mother’s depression.

Mystery of the Secret Room

2016
The Roommate
N/A

Fed up with her roommate’s incessant shopping and hoarding, a girl takes matters into her own hands in this comical take on vlogging and the art of co-habitation. Inspired by found sound of a shopper’s vlog, nourished with Saturday morning cartoons, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

The Roommate

2014
Ride
N/A

Bareback bronc riding is not for the faint of heart. The risk of serious and possibly fatal injury looms with each buck and kick. For Liam Marshall, it’s a thrill he’s always known growing up in the Big Muddy Valley, in rural Saskatchewan. Training to compete and become a bareback champion requires his complete focus. It’s clear that it fills his every waking moment (when he’s not checking his cellphone). Surrounded by family and providing inspiration to his three younger brothers, this brave teenager holds on tight to a tradition that’s been passed down through generations.

Ride

2018
No image
N/A

Rescue Wife follows the thrilling adventures of our eponymous heroine. Ever vigilant, steadfast and true, she keeps the neighborhood safe for man and child alike.

Rescue Wife

2011
No image
N/A

ALL MEN ARE CREATED EQUAL. An ode to what can happen when Man play god.

All We Need Is War

2017
June Night
N/A

Working in sublime self-isolation during the strange pandemic spring of 2020, avant-garde filmmaker Mike Maryniuk composes a surreal ode to rebirth and reinvention. Juxtaposing archival imagery with handcrafted animation, he conjures up a shimmering utopian dreamscape, a post-COVID world shaped by the primordial forces of nature—haunted by the genial spectre of Buster Keaton.

June Night

2020