Leo Slezak

Legendary, immortal nobleman Baron Munchausen regales a lovestruck woman with tales of his amazing adventures.

Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover.

A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.

The ambitious female chief executive of a gramophone record company slowly finds herself falling in love with the company's head of production.

Four graduates of an industrial design school team up and form a small business. The protagonist is so excited by the venture that she turns down the proposal of her dashing instructor. Time passes and her three partners lose interest in the business for different reasons. This leaves the heroine who has a change of heart and decides to forgo the business and marry the instructor after all.

Dan Douglas is a typical Scottish. When his niece Evelyne marries engineer Fred Keller aboard the ship to Scotland, he gives her a pearl necklace as dowry, but it's false. The newlyweds face their differences when the necklace gets lost.

1865. Katharina goes to a ball in Moscow. There she meets again Tchaikowsky, her first and only love. The young, who is now married to wealthy Michael Iwanowitsch Murakin, a man she does not love, has not forgotten Piotr Illich, the (not yet) famous composer. Both are still in love with each other but Piotr is engaged to Nastassia, a dancer, while for her part Katharina cannot leave her husband. Tchaikowky's first love then decides to sacrifice her happiness to the success of the composer, sponsoring him in secret. Something Piotr will learn only years after. When Katharina finds herself free at last it is too late: Tchaikowsky is dying of cholera and she only has time to close his eyes.

A journalist travelling by train to Vienna meets an American millionairess travelling incognito. They become friends and decide it'd be fun to swap places for awhile.

A singer tired of the stage retreats to a hotel in the country. There, she finds love and a way back into show business.

When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.

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When a wife reads a love letter addressed to her husband, written by an unknown female, all hell breaks lose.

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

Vienna, Austria, late 1870s. After suffering an irreparable misfortune, the Austrian composer Johann Strauss Jr. (1825-99), the Waltz King, falls in love with a ballet dancer, which disappoints the famous operetta singer Marie Geistinger…

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In the fantasy state of Olivia, the robber chief Gasparone is up to all sorts of mischief. But Prefect Nasoni is not only worried about him, his son Sindulfo is also causing him headaches. He is supposed to marry Countess Ambrat, but loves Ita, the niece of Massaccio, a somewhat obscure existence. Then the elegant Erminio appears, and the countess makes eyes at him. Confusion after confusion until Massaccio is unmasked as Gasparone. Erminio turns out to be a civil servant who was set on Gasparone and now gets his beautiful countess. Sindulfo is the last to embrace his Ita.

Knox owns half of the Circus Saran and acts as a clown there. He hides his circus life from his daughter and is very embarrassed when his daughter finds out his true profession. Hans Moser, who plays Knox, performs poorly, because the character he plays is simply not funny. Leo Slezak, who owns the other half of the circus, as well as Pat and Patachon perform better. The only really good thing about this film is its music, composed by Robert Stolz; especially the song "Ein bisschen Sing-Sang und gute Kameradschaft" , which can be heard throughout the movie.

The happiest one should be selected from 500 married couples to move a marriage-hostile American millionnaire's daughter to the marriage. - Shallow and turbulent love banter with some tumultuous and funny climaxes.

Diplomat Fürst Windischberg is known for spending too much time with women, receiving frequent reprimands and even a threat to be sent to Afrika. In Berlin he meets chorus girl Hella, who tells her companions she is his current flirt.

In Dresden's classical music world, female students learn from an opinionated conductor and a pompous dance instructor.When their work isn't appreciated, a teacher consoles them, saying Bruckner, Schubert and Wagner were also criticized.