Directing
Portrait based on the first cinematic representation of Afro-American intimacy in the 1898 film Something Good-Negro Kiss.
Chelsea Drive displays three decades of Black student style, fashion and dance at the University of Virginia.
In 1959 Mississippi, African-American siblings Borne and Gago must repair their vandalized school bus, facing systemic racism. With help from their community and Cassilee, the 'Queen of Catfish Alley', the teens learn history's lessons while pursuing education.
"A 16mm cinematic exploration of African American intellectual, social, and political life at the University of Virginia during the 1970s. Conceived and written by UVA History Professor and author Claudrena Harold and directed by Harold and UVA Professor of Art, filmmaker/artist Kevin Jerome Everson, the film stars Erin Stewart (the bank teller/race driver in Everson's 2006 feature film "Cinnamon") as Vivian Gordon (the director of UVA's Black Studies program between 1975 and 1980). The film tells the story of African-American women and men who through their public and private gestures sought to create a beloved community that thrived on intellectual exchange, self-critique, and human warmth." - Trilobite-Arts-DAC, Claudrena Harold, Picture Palace Pictures
Two University of Virginia workers share a drink and conversation at a local nightclub. One worker is a phlebotomist and the other is a former EKG technician who has relocated from New Mexico and works now in the university cafeteria.Starring Ricky Goldman and Richard Cooper. Inspired by the 1973 film "The Mack" starring Max Julian and Richard Pryor.
We Demand revisits a ten-day period of unprecedented student upheaval at the University of Virginia in 1970, during the height of the anti-Vietnam War movement. The film reenacts the delivery of two sets of demands regarding action to be taken on campus and in the wider political sphere, spoken by budding activist James R. Roebuck, the first African American president of UVA’s Student Council.
Historical re-enactments of athletes performing various sports at the University of Virginia are seen as Kent Merritt, one of the first African American scholarship athletes at the university, reflects on his experience.
The artist travels through the Panama Canal, filming 10-minute reels of 16mm to create an almost abstract journey modulated in time through the light and dark of the opening and closing locks. Alternating with submerged darkness, we observe the beauty of the landscape, and the global trade that the canal was built to facilitate; bringing to mind that its American engineers imposed US segregation laws on the canal’s Jamaican migrant workforce.
Racism. Toxic stress. Birth outcomes. How are these things intertwined? The short film, Toxic: A Black Woman's Story, seeks to explore that question - Peer into the world of the film's lead protagonist, Nina. An elite lawyer, loyal wife, and loving mother of a teen boy, Nina is navigating life (and a pregnancy) to the best of her ability. But sometimes the forces on a woman - especially a black woman - can be too much to bear. Follow Nina in this day-in-the-life drama, and see the world through the eyes of a successful black woman who must navigate an unjust world while trying to protect the world she has created for herself and her family.
