Rosy Barsony

The quarrel between the waltz king Joseph Lanner and his still unknown violinist Johann Strauss. It comes to a break. Strauss is engaged in London and has his first successes there. Thanks to the initially unfortunate intervention of Lanner's daughter, a reconciliation is finally achieved.

Operetta star Gitta Alpar plays a singer engaged for a performance at the Savoy Hotel, where she mistakes Baron von Wollheim for a waiter. But the baron is content to play the game for a while and changes his role with the real waiter. Of course the singer is quite happy when she discovers the real identity of the baron, but now she mistakes him for a thief, as her necklet has gone missing. Further complications arise when the baron's cousin Mary, a composer, arrives at the hotel and wants a music publisher to listen to her songs.

A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.

The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…

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The sons of small town store owner Anton Polgar have abandoned him for the big city, until financial problems there lead him to rescue them and bring them back.

In 1936, Hungary’s championship team, escorted by their captain, Count Szirmay, retreats to a lakeside villa after a triumphant win in London, only to discover that a runaway English bride, Gingi Cheswick, has stowed away among them. Tasked with returning her home, serious young Gyurka Károlyi finds himself reluctantly drawn to her, while the team’s prankster Blazsek engineers a series of comic mishaps. Reunited under the strict watch of a girls’ institute and pursued by Gingi’s determined father, Gyurka and Gingi must navigate misunderstandings and rival suitors. Their story culminates on the playing field, where Gyurka’s unexpected heroics secure both a sports victory and the approval needed for their romance.

The documentary shows the exclusion of Jewish film makers after Hitler took power in Germany and how this led to an independent filmproduction in Vienna and Budapest from 1934 till 1937. With previously unpublished archive material are portrayed: Hermann Kosterlitz (Henry Koster), Felix Joachimson (Jackson), Joe Pasternak, Otto Wallburg, Hans Jaray, Franziska Gaal, Rosy Barsony, Hortense Raky, Oskar Pilzer, Zoltan Vidor, Ernst Verebes.

Set on the Hungarian plains and in romantic Budapest, the film follows Rose Barsony’s spirited dancer-singer and Wolf Albach-Retty’s young noble as they navigate love, song and national pride. When the aristocratic family’s fortunes are threatened by the heir’s prodigality, veteran estate manager Károly Sugár steps in to safeguard the daughter’s inheritance. Against a backdrop of blooded horses, vineyard laborers and patriotic pageantry, the couple’s romance unfolds through musical numbers and colorful travelogue sequences that celebrate Hungary’s landscape and culture.

Mr. Polgár is a provincial paper dealer. His sons, Viktor and Feri, are managers in a big factory in the capital, spending their money lavishly, living their lives in a careless, irresponsible way. Viktor is to marry a baroness and feels rather too uneasy about his father's small business. He persuades his old man into selling the business he had so long cherished and to move to their place in Pest.

An unemployed artist must choose between a flower seller and a Hungarian dancer and defend himself against suspicion of shoplifting.

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The ancient families of Kont and Hadhazy have long been at war with each other. Lord Cont is a supporter of Vienna's rule, while Hadhazy is a follower of the Hungarian revolutionary Kossuth. Lord plans to fight Hadhazy at an approaching county meeting. Vicky, the beautiful and savvy daughter of Hadhazy's family, just before this, returns home from a Swiss boarding school for young girls, expelled because of her behavior. Vicky, dressed in a man's costume, goes to defend her father and with the honor of a nobleman fights the young scion of a family hostile to her. The young man's name is Feri Kont, and he mistakes the young man's introduction to Vicky for her brother Kalman Hadhazy. The political conflicts between the two families are mitigated by love complications. A misunderstanding at a county ball is brought to light, and the two warring camps are reconciled through the love of Vicky and Feri.

When his wife storms out of a dinner planned for his American boss (because their dog is not allowed at the table) an engineer substitutes his secretary and pretends she is the wife

Péter Ilosvay and Lina Vásárhelyi are wife and husband, but don't come along with each other. After the divorce they go on living under the same roof for they are unable to agree on the common wealth.

The carefree squandering of Baron Inokay's wealth, the steward Gáspár Borly - who is called "the old scoundrel" behind his back - is rumored to have been stealing from the Baron's family for years and has amassed a large fortune. Baroness Mária Inokay, who was raised in Vienna and is destined to be Count Balassa, returns home. However, Mária loves her childhood playmate, Gáspár Borly's grandson. Old Borly is eventually convicted of the theft, but his will reveals that he only saved what he could and left all the valuables he had embezzled to Mária. After this, nothing can stand in the way of their previously seemingly hopeless love.

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