Vímerson Cavanilas

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

In Brazil of the 1980s, the children’s music group Balão Mágico brought together a charming girl singer, a shy boy with an angelic voice, the heir of a famous thief, and the son of a famous Brazilian musician. Some 40 years after their heyday, former members Simony, Tob, Mike, and Jairzinho reunite to discuss the untold side of the group’s playful and colorful years in the spotlight.

Balão Mágico was a very famous children television program in Brazil. The children that were the main stars of the program were also part of a musical group singing children's songs which was named after the program as A Turma do Balão Mágico. The program was aired by Rede Globo between 1983 and 1986, and the musical group released six albums under the Columbia label that sold together 13 million copies. Their biggest hit is the song Superfantástico, which is still popular more than 20 years since its release. The main cast and musical group was composed by: ⁕Simony: The only girl in the band. ⁕Tob: The older integrant at the group. ⁕Mike: Son of infamous British robber Ronnie Biggs. ⁕Jairzinho: Son of Brazilian musician Jair Rodrigues. ⁕Ricardinho: the last member of the group.

A regular night in a japanese restaurant in the middle of nowhere takes an unexpected turn with the arrival of two gangsters looking for a man known as the Swede. The killers take the clients hostage and start to systematically expose their prejudices and hypocrisies through physical and psychological abuse while they wait for their target to arrive. Based on Ernest Hemingway's Short Story.

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