Sofiya Cheyenne
Acting
Biography
Sofiya Cheyenne is a New York based multi-disciplinary performance artist, theatre maker, and advocate. She originated the role of Perla Ovitz in the Off-Broadway production of The Lilliput Troupe and reprised the role of this historical icon in many other productions.
Known For
Sam Loudermilk is a recovering alcoholic and substance abuse counselor with an extremely bad attitude about, well, everything. He is unapologetically uncensored, and manages to piss off everyone in his life. Although he has his drinking under control, Loudermilk discovers that when your life is a complete mess, getting clean is the easy part.
Loudermilk
Comedian Amy Sedaris cordially invites you into her home, where she will show off diverse but necessary homemaking skills, from death-bed etiquette, to gutting a fish, to crocheting miniature sweaters for a mice infestation, to entertaining your husband's business associates. As always, Amy will give it her best shot to entertain guests, increase her know-how and her can-do, and attempt to work out personal issues.
At Home with Amy Sedaris
A criminal, who was recently released from prison, tries to leave the life he led behind, but certain people from his past have other ideas.
Jimbo
Julie Wyman’s quest to find her place within the little people (LP) community at a moment when dwarf identity is poised to radically change. As Julie unpacks the rumors of “partial dwarfism” in her family she finds that hers is the last of a body type she has inherited. She joins forces with a group of dwarf artists to confront the legacy of being tokenized and put on display.
The Tallest Dwarf
The How We Look Project is a collection of three short narrative films about dwarf culture and identity, created and performed by Little People (LPs). Each film centers one act of image-making, from renaissance portraiture, to sideshow photography, to medical imaging. APPOINTMENT: three LPs named Avery visit a doctor who is more fascinated with his own medical technology than the patients before him. CARNIVAL: Jessica and her “ Midget troupe” pose for a 1924 souvenir postcard. But this moment of commodification also offers Jessica rare hope to reach her disappeared lover and the outside world. COURT: While Fabio, a Court Dwarf in 1572 Italy endures the uncomfortable act of being painted, he wonders if this image can be a means of communicating with future dwarfs.