Alain Minc
Acting
Biography
Alain Minc (born 15 April 1949) is a French businessman, political advisor and author. Alain Minc was born on April 15, 1949, in Paris to a family of Jewish immigrants from Poland. His father, Joseph Minkowski, was a dentist and a member of the Communist Party. Alain Minc is a graduate of the École nationale supérieure des mines de Paris, Sciences Po and the École nationale d'administration. In 1979, he became CFO of Compagnie de Saint-Gobain. In 1981, he was selected to be one of the first Young Leaders of the French-American Foundation. In 1986, he became Vice-Chairman of CIR International and General Manager of Cerus, non-Italian affiliates of Benedetti Group. In 1991, he founded his own consultancy firm, AM Conseil. He has been the Chairman of Le Monde's supervisory board. He sits on the board of directors of Criteria CaixaCorp since 2007. He is also a board member of Prisa, Fnac, Direct Energie, Ingenico, and Yves Saint Laurent. He has been an advisor to Edouard Balladur, François Pinault, Vincent Bolloré, and ex-French President Nicolas Sarkozy. He came under fire for criticizing Pope Benedict XVI's position on the French Romani repatriation in 2010. He is a member of the Nicolas Berggruen Institute. He is also a recipient of the Legion of Honour. Since December 2011, he is President of the board of directors of Société des Autoroutes du Nord et de l'Est de la France (SANEF) which operates motorways in northeast France under a French government concession. Source: Article "Alain Minc" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.
Quotidien
No description available.
Vivement dimanche
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Apostrophes
Salut les Terriens! is a French talk show hosted by Thierry Ardisson, launched on Canal+ on November 4, 2006, and then moved to C8 on September 10, 2016. The show subsequently changed its name and format in 2018 to become Les Terriens du Samedi! (The Earthlings of Saturday!). Initially conceived as a humorous take on current events with several guests and various games and segments, it later evolved into a more structured format with panel discussions and regular segments. In 2018, Thierry Ardisson sought to revamp the concept, believing the previous version had run its course, hence the transition to Les Terriens du samedi! with a new set and new segments, and a 360-degree turn in the ideology of the guests.
Salut les Terriens !
On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.
On n'est pas couché
In-depth interviews with hard-hitting questions and sensitive topics being covered as famous personalities from all walks of life talk about the highs and lows in their lives.
HARDtalk
In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.
The New Watchdogs
No description available.