Acting
In a Japan of the near future, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.
Itoda-gumi was excommunicated from the Mishima-gumi, but the situation changed completely when Ando (Hitoshi Ozawa) was welcomed as a wakagashira. He succeeded in destroying the Mishima-gumi by inviting an internal strife in the Sekishin Houkou Renmei to overthrow him. However, Mishima (Shunya Nagasawa), who sees Ando as dangerous, continues to attack him.
A young woman discovers that a sex tape made without her knowledge is circulating online. Paranoia takes over, along with a sense of injustice. Her sudden terror of video triggers a downward spiral where she loses all social bearings.
No description available.
Fourth entry in the 'Conquest' series.
Fifth entry in the 'Conquest' series.
Kazuma kills his father in order to protect his mother and younger sister from violence. He begins life at a halfway house with an aim toward social rehabilitation and also works diligently at a scrap mill, but society has labeled him a “murderer”. Gradually, Kazuma loses hope.
While documenting a controversial tragedy that shook her community, a filmmaker must put her morals to the test when a perverse secret in her own life is revealed.
Makoto is a student at an art university. She was once captivated by her art class teacher, Ira when she was just 12 years old. Ira vanishes from the scene and, not until six years later, appears before Makoto at an art exhibition. Surprisingly, she looks the same as Makoto remembered and has a secret to hide. Although still human, Ira seems to have a thirst for blood.
Soyoko is a 19-year-old girl with ADHD who clings on to dreams of studying at an art school while juggling a part-time job and caring for her disabled father. As overburdened caregivers quit around her and with no relatives to help, Soyoko desperately applies for welfare but a callous caseworker makes increasingly awful demands for funds leading a vulnerable and isolated Soyoko into a terrible situation.
Shota takes in his brother Yusaku after rehab and interviews him for a screenplay based on Yusaku’s life. Yusaku, unable to adjust to his new life, gradually begins to suffer from drug withdrawal....
