Aprilingga Dani

Hayat lives with his wife Sekar, a pregnant woman, in an illegal house built on a Chinese cemetery. Their peace is disturbed when Suwargono comes looking for his mother’s grave, which is believed to be in their house. To hide the truth, Hayat is caught in a deep inner conflict as his child approaches birth.

Santoso and Wati are in grief for Agung, their only son, suddenly died. It leads Santoso into unfavorable circumstances while he gets around to preparing for the funeral.

Mikha is a nail artist who is very passionate about her work. She works so hard that she sometimes forgets to spend time with her family. She wishes her husband could have more time for the family, so that her child doesn't need to be taken care of by his mother all the time. They argued a lot about who should take care of their children. Mikha feels that her nail art studio is not suitable for her child's growth. She wanted her daughter's life to be better than the bitter stories of her clients.

Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place

When a wife was about to fall into a coma due to her diabetes, the husband agreed to persuade the Umrah travel agent to speed up their departure schedule.

TINUK (27) wants to have HP. Every day she always persuades her husband, WAHONO (31) to borrow parking deposit money. MASKUR (28) comes to TINUK's house every day, persuading him to buy a cellphone

A housewife, named Tinuk, really wants to have a cell phone. Tinuk asks her husband, Wahono, who works as a parking attendant, to borrow money from the parking deposit. But Wahono rejects his wife’s wish, saying that he would not use money that is not his.

The film addresses the exile of approximately 12,000 alleged sympathizers and members of the Indonesian Communist Party, who were sent to Buru Island. The story follows Hersri as he returns to Savanajaya Village, where he lived during his exile. Sanleko Beach, the site where the first political prisoners landed, becomes the place where he recounts these bitter memories to his son, Ken. With no historical landmarks as evidence and his fading memories, Hersri struggles to preserve the painful past.