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The Battle of Moscow is a 1985 Soviet multi-part war narrative, presenting a dramatized account of the 1941 Battle of Moscow and the events preceding it. The battle was the first major defeat of German Wehrmacht in the Second World War.
The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.
Life of Czechoslovak soldiers in a military unit for the so called "politically unreliable" - the Technical auxiliary battalions, aka "the black barons". Although it might seem like a political satire and it's mostly funny, it shows the reality and the absurdity of military service under the communist regime. Based on a novel by Miloslav Svandrlik.
The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.
Dr. Štěpán, dismissed for his outspokenness, returns to his hometown determined not to bend his ethical principles to the ruthless new capitalism surrounding him. When he meets a young woman who may become the meaning of his life, he must confront the tension between his ideals and the demands of a changing world.
Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.
The film was based on the novel "Milión" by Karel Štorkán. The book and the film depict the events surrounding the great construction disaster in Prague in 1928, in which 46 construction workers died. The disaster thrilled the entire republic at the time, yet was never fully explained. The filmmakers focus on the story of Ing. Vondrák, the designer of the construction.
The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.
Once again, you can take a look behind the scenes of the Riviera Chateau on the Prague periphery, where a brothel for the socialites is hidden under the guise of an exclusive nightclub. The story takes place in 1930 and although several years have passed since the events of the first volume, the passions unleashed by the intrigues of the time have not cooled down. Once again you meet Renata, called Angel, formerly a prostitute, now the wife of the banker Justice and owner of the Riviera. The elegant Madame, who owned the business before and now works there as a mere manager, is plotting new schemes to get back everything she has...
February 1948. The struggle of decisive social forces for the heart of Europe.
When former criminal Gaudl discovers the strange behaviour of his son-in-law Professor Horacek, he becomes worried about his daughter Hedwig and starts to gather evidence. When his suspicions seem justified, he visits his former colleague and friend, Lieutenant Colonel Maca. Little does Hedvika know that her husband is having an affair with their lodger Daniela. When her husband tells her of his intention to divorce her, she makes a scene at the least convenient time, while driving the car. This causes a crash in which a young hitchhiker is killed. She persuades her husband to drive away from the scene of the accident. In doing so, she takes a picture of her husband hiding the young girl's corpse in the woods. She now has a gun in her hand to blackmail the man, who decides to settle the matter once and for all.
This feature film based on the events of 1938 is a chronicle of the futile efforts of the Czechoslovak president Edvard Benes (Jirí Pleskot), politicians and ordinary citizens, to save the independence and the territorial integrity of the state from the advance of Hitler's Germany. On the 29th of March 1938 the leader of the Sudeten Germans Henlein (Werner Ehrlicher) has a meeting with Hitler (Gunnar Möller). Hitler orders him to intensify pressure on the Czechoslovak government. On the 24th of April in Carlsbad, the Sudetendeutsche Partei (Sudeten German Party) decides upon eight demands that are unacceptable to the Czechoslovak President, since they would ultimately lead to the break-up of the Republic. Benes still shows a certain willingness to negotiate, and Henlein resents this. The Germans are determined to make further negotiations impossible through incidents and violence.
The story begins in 1984 in Prague, Czechoslovakia, few years before the end of Communist era. The band Pražský výběr (Prague's selection) has just received the news thier 5-year ban has expired and they are alowed to perform once again. This half fantasy half document about the band would draw the atmosphere of middle european late Communist era and the eufory of it's end.
Martin is an innocent lad from small-town Mlada Boleslav who comes to big-city Prague, hoping to exchange his krona for deutschemarks so that he can visit Germany. A local spiv named Robert obliges Martin, but at an unfair exchange rate. When Martin finds out he was rooked, he plans revenge on Robert ... but then decides to join Robert's gang instead.
Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.
A coming of age drama about a young boy Jirka who lives in Prague.
