Directing
Varvara, the first coachwoman in the history of the city, who began the Barankin family, teleports to the streets of modern Moscow from 1804. A meeting with a relative from the past gives Moscow taxi driver Bata and his three grown-up children magical superpowers encased in power stones. They are very helpful, for example, in unpredictable work in a taxi, but, alas, they only exacerbate personal conflicts. And in the footsteps of Barbara, the mysterious and immortal Velimir is already walking, who dreams of taking possession of the stones.
Meeting on a Saturday morning to drink champagne, the friends embark on a new journey through the depths of the male subconscious. What are the men talking about this time? Of course, about the personal. Lyosha is trying to understand whether "female friendship" exists, Kamil discusses whether it is possible to fire his best friend, Lovelace Slava recalls his first love (or was it not his?), and Sasha reflects on the loss of his father and the need to enjoy life here and now. And yet, walking around the center of Moscow, friends discuss how to screw in a light bulb so that she is satisfied, and what candid photos scream about on social networks, and what is chevapchichi.
A gang of skinheads 'Russia 88' are filming propaganda videos in order to place it on the internet. At the same time the camera records the life of the gang, they become accustomed to this and stop paying attention to it. The leader of the gang 'Blade' discovers that his sister is dating a guy from the Caucasus. This family drama develops into a tragedy.
Capital traffic jams and endless replacement of tiles on the sidewalks, filming of national films and absurd situations with artists, stories from the lives of neighbors and their dogs.
No description available.
