Mahesh Mani

The film explores the spatial dimensions of a being who alternately enters and exits a fragmented world of projections where thoughts, memories and dreams blend into a strange loop of treacherous images. The film explores multiple layers of in-ness such as inclusion, depiction and representation.

The night train is right on track and the journey is slightly marred by an array of lights.

In the State of 'Land Knownable', 'The Building' AKA 'The Center' is the only existing structure. Gaze, a (non)entity recruited by 'The Building', shadows and observes two (human)beings named Regine Olsen and Man Ray. Gaze creates moving image reports to assess their cerebral resistance to spectatorship.

XX and XY find themselves struggling against oblivion, while an external entity referred to as ‘The Rose’, infringes their identities. The hows and whys are not applicable, although XX and XY claim that ‘The Rose’ distorts their understanding of the roles they've occupied.

The broken gravity tries to keep you on the floor. What is bizarre when dimensions are overleaping? While directions are directionless, What is down is up, and right could be left; Don't mis-step, you'll fall into the portal, After all we don't know if you are entering or exiting.

A countdown to non-film. A man humming. An image of a self drowning oneself. Windows.

The film explores the syncretic notions, ‘construction’ and ‘intuition’.

The process of un-remembering. A visual representation of scorching memories irreversibly burning.