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Mahsun is a motorcycle courier in Istanbul. While searching for a way out of his life filled with debt, he accidentally discovers his "greatest" talent and decides to become a GIGOLO. Her manager will be her friend Leyla, who is a failed advertising executive.
Dünya Bu (The World as It Is, 2023) is a Turkish anthology comedy series on Gain, featuring 32 different self-contained stories set in a single shared world. Each episode tells a different human story with a comedic lens. Comedy is the clear dominant, drama is medium, romance and suspense are both low given the short-form anthology format with no overarching plot.
Cemal drives a hearse for a living. He's entrusted with secretly carrying the body of a young girl at the request of her family. One night, he hears strange groans from the back of the truck, even though the girl hasn't got a pulse.
Unable to marry Keriman, the girl he loves, because he cannot make a living, Onur is forced to become the neighborhood headman when his uncle, the headman, becomes paralyzed. Although the locals are not happy with Onur as their muhtar, he and his friends do everything they can to stay in the position. Meanwhile, Onur takes Talat, a newcomer to the neighborhood, under his wing and tries to teach him about life.
Yasemin hits her sister's face with the comforting lie they believed at her uncle's funeral. He knows he cannot heal, so he will stop treatment and will not torture himself. The sister, who refuses to accept this, realizes that she is struggling with the sense of ownership after a while. Her dilemma will be resolved with Yasemin and her relationship with the cactus they picked up from the funeral home.
Ten-year-old Sevîn wants to make a Kurdish-language television for her bedridden and mute grandmother.
No description available.
An upper-class family who wants to have a picture of their family made meet with a famous painter. In this process, the painter, who witnessed the inner dynamics of the family, helps these people to face their own reality through painting.
A poignant portrait of a family of asylum seekers desperate to start a new life, but stalled in bureaucratic limbo.
