Erica Maradona

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A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

The quiet city of Veredas is home to Casa Rosa, a famous brothel in the backlands of Minas Gerais managed by Ismael's mother, known to everyone as O Filho da Puta. Tired of his life, the young man leaves with his dog towards the coast in search of the father he never knew. Along the way, he finds himself faced with situations that, at the same time as they transform him, insist on reminding him of the fate he is fleeing.

Losing herself in a new city, Ana finds Alice, her doppelgänger, and follows her. Face to face, glimpsing their respective abysses, they will discover what it means to become themselves, as they uncover new paths amidst the memories, languages and images of the cities they inhabit.

Three friends attend the same gym every day in search of their ideals of bodies. Despite assiduous, they live with the frustrating slips that happen away from the tracks, turning the gears of an endless cycle.

Sunday Mass is interrupted by an unusual event.

The production of images on the street, music research to skateboard videos and the process of media construction make the artistic production inherent to the skateboarding practice in the city. Immaterial is the documentation of artistic production and skateboarding as an artistic object.