Macarena Hernandez Abreu

Camila and Abril grew up together in a small town on the coast and are best friends. There's an obvious and uncomfortable attraction between them. April's family will move to the city, their paths will have to separate forever.

Two brothers, estranged for years due to superficial disputes, face the impossibility of sharing their first Christmas after their grandmother's passing. A hybrid portrait of the impact of time on family relationships and the limits of reconciliation.

The voices of the 2013 Generation of the now extinct CUEC, talk about issues such as loneliness, growing up and decisions about the uncertain future they face when leaving to study Cinematography.

Diana, a 24-year-old woman, spends her pandemic days confined to her apartment. She becomes an observer of the couple living across from her, initially witnessing a loving relationship that starkly contrasts with her own isolation. However, as the lockdown drags on, the couple’s situation begins to unravel, revealing hidden tensions and changing the course of their relationship.

October 2nd, 1968. Ana witnesses the cold blood killing of Fernanda, her best friend, by an undercover soldier. After surviving the shooting she decides to avenge her friend. Everything unfolds between imaginary time leaps between 1968 and the current era.

A dreamy girl goes through puberty evading the loneliness and pressure of her environment until in just one night, treason and harassment lead her to big disappointments that push her to grow up abruptly.

What lies beyond that blackened memories? Our memories are infected by violent images that are infused into our imaginary. This film is an intervention of Tlatelolco, to take back this public space and heal its memories of murder.