Barbara Truyen

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

In Eastern Ukraine, childhood neighbors find their lives violently derailed by a shifting frontline. Natasha, a promising boxing talent, becomes a military paramedic. Angela, who lost her parents at a young age, survives by moving goods to both sides of the front. Caught in a modern Greek tragedy, brothers Mark and Ruslan now fight on opposite sides – against each other. In the safety of his adoptive family in the United States, their youngest brother Daniil follows the war from afar.

The past collides with the present in this excavation of the Nazi occupation of Amsterdam: a journey from World War II to recent years of pandemic and protest and a provocative, life-affirming reflection on memory, time and what's to come.

Chronologically assembled from the reports of hundreds of newscasters, cameramen, and civilians representing the days following the tragic event of the February 6, 2023 earthquake in Turkey and Syria.

With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.

Controversy erupts when an unassuming young man floods the American wine market with fake vintages valued in the millions, bamboozling the wine world elite, in this humorous and suspenseful tale of an ingenious con on the eve of the 2008 stock market crash.

For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.

A look into the 100-meter final at the 1988 Seoul games.

All JoEllen Marsh knew about her biological father was that he was Donor 150; but she wanted to know anything and everything she could about her father’s genealogy. Thanks to a social networking website called the Donor Sibling Registry designed specifically for donor offspring, that becomes a possibility. Marsh slowly unravels Donor 150′s side of her family tree; meeting, one-by-one, her new-found siblings and discovering a plethora of uncanny genetic similarities. (Donor 150 must have had some damn strong genes!) Marsh and her siblings would like to meet the man from whom these common genes were inherited. A New York Times article about Marsh caught Donor 150′s eye, and the rest is history…

In 2004, a urinal was voted the most influential work ever in modern art. Famed artist and provocateur Marcel Duchamp claimed to have created “Fountain”—or rather, he bought the mass-produced product and signed it—but according to some, it is the lesser-known, flamboyant Dadaist artist Baroness Elsa von Freytag-Loringhoven who should take credit for transforming this much-discussed porcelain “piss pot” into art.

6 February 1998, Port Arthur, Texas: Erin is home alone. She is about to watch a film when a masked man suddenly appears in the living room. She thinks it’s a friend joking around. 12 June 2013, Huntsville, Texas: In Huntsville State Penitentiary, preparations are underway for execution #499. A little after 6pm, Elroy Chester will be executed by lethal injection for the rape of Erin and Claire DeLeon and the murder of their uncle, fireman Billy Ryman. Killing Time reconstructs an old murder, and shows the impact on the family members and victims during the day of execution. The family of the victims and the prisoner, the guards in the towers, the pastors, the journalists, the handful of demonstrators: everyone has his own way of killing the last few hours of Elroy Chester’s life. Where one yearns for the long-anticipated closure of the case, the other faces oblivion

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Whereas most filmmakers go to places where it is all happening, documentary director Britta Hosman went to a place where nothing happens. For one year, she captured life in the Bosnian town of Bosanska Grahavo, which was forgotten during the reconstruction and where only the supermarket and ten pubs are still standing. When did the war end for them, the filmmaker wonders. Did it ever end? And which people stayed put? And why? The many conversations Hosman had with the inhabitants were converted to a narrative voice-over that wryly describes how everybody wakes up every day, gets dressed and proceeds to wait for nothing at all.