Mariana Lacerda

A middle-class family living in a house filled with superfluous electronic appliances see the arrival of a new item, a 29" TV-set.

A small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kyiv. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.

In São Paulo, the Ueinzz theater company — formed by actors living with psychological distress — creates a play about the extinction of the Earth and the human desire to endure. During rehearsals, dreams, words, and ways of being emerge as fragile species to be preserved. As they perform, the group reflects on survival, belonging, and the ongoing preservation of their own community.

An improbable geopolitical line between the small Hungarian village of Nagyvárad and the Yanomani indigenous land, in the Brazilian Amazon. A Jew who survived World War II, Claudia Andujar came to Brazil as an exile and dedicated her life to the defense of the Yanomani people. Her valuable collection, her untiring activism, her past of war and the vulnerability of the current indigenous people are revisited through dialogues between Andujar and shaman Davi Kopenawa and activist Carlo Zacquini, with the interlocution of Hungarian philosopher Peter Pál Pelbart.

A mother gives her daughter a box full of old, coloured little vinyl records. The daughter may listen to them, but she should never, ever, play the green one.

No description available.

When a love leaves, what piece does it take from us that we will never find again?

No description available.