Acting
D'Artagnan, a spirited young Gascon, is left for dead after trying to save a noblewoman from being kidnapped. Once in Paris, he tries by all means to find his attackers, unaware that his quest will lead him to the very heart of a war where the future of France is at stake. Aided by King's Musketeers Athos, Porthos and Aramis, he faces the machinations of villainous Cardinal Richelieu and Milady de Winter, while falling in love with Constance, the Queen's confidante.
Paris, autumn 2015. In Philippe Dayan's analysis office, a surgeon in disarray in love, a couple in crisis, a suicidal teenager follow one another day after day. On a November evening, killers enter Paris.
D'Artagnan, on a quest to rescue the abducted Constance, runs into the mysterious Milady de Winter again. The tension between the Catholics and the Protestants finally escalates, as the king declares war — forcing the now four musketeers into battle. But as the war goes on, they are tested physically, mentally and emotionally.
By the will of her dead uncle who was murdered Sandra Paoli is propelled to the head of a powerful mafia clan. She becomes a respected, but also hated, woman in a world of men, murder and criminality.
At each meeting, the Croc-Note presenter accompanied by Professor Corquignol tries to educate us by explaining the different professions related to the love of music, how to read a score, the various instrument families and their use, music in everyday life ... but very quickly the instrument is used in other conditions, and we quickly realize that music is not at all what we imagine!
A young French woman living in Israel is accused of the murder of her husband on the day of their wedding. As the bride struggles to prove her innocence, mysterious happenings surround her. Is she guilty or could she be the victim?
Marc, a bipolar and paranoid filmmaker, cannot tolerate seeing his current project picked apart by his producers. The clips he’s been able to sneak a look at lead him to fear the worst. With his editor as an accomplice, he manages to spirit away the rushes to his aunt’s place in the Cévennes, to finish the film as he envisions it. Instead, its completion is constantly postponed, as he creates endless diversions and impasses, which alternate between the comic and the downright disturbing.
Drama set in the Second World War, focused on Jean Moulin, hero, martyr and symbol of the French resistance and the patriotism during the dark years of Nazi occupation.
A young Parisian must make major decisions about pregnancy, a job, and her boyfriend.
Follows a young man, Marcel, from his childhood in Combray to his discovery of social life among the upper classes.
No description available.
Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.
Nathalie is being stalked. By an interesting, intelligent young woman called Anaïs, who makes quite an impression on Nathalie, whose real name is Célimène and who happens to be a writer experiencing a crisis.
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
Marion and Ben, thirty years old, meet on Tinder. That's about all they have in common; but the opposites attract each other, and they decide in the early morning of their meeting to go on vacation together despite the advice of their entourage. They will finally leave - to Bulgaria, halfway to their dream destinations: Beirut for Marion, Biarritz for Ben. Without a precise plan and, as they will soon discover, with very different conceptions of what a dream holiday should be.
While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.
Alexandrine, 35, who everyone nicknames Didine, peacefully goes with the flow, the opposite of her best friend Muriel. In this way, she one day crosses the threshold of a elderly person caregivers’ agency where, faced with an extrovert teenager, a charming man, and a cruel, elderly woman, she takes hold of her existence and encounters love.
The 20s. In a seaside resort where everybody is bored, Albert Marvuglia, a slightly shabby conjurer, makes Marta, the wife of the wealthy bourgeois Charles Moufflet, disappear, who takes advantage of this tour to escape for good.
At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?
