Henry Vallejo Torres

Reinaldo Cutipa lives with Matilde, his overprotective mother. When Reinaldo wants to go live with his girlfriend, Rosaura, Matilde is against it, triggering a chain of events that ultimately leads to a tragic crisis.

The line between myth and reality gets blurred when cameraman Paul starts investigating the disappearance of his co-worker.

Defeated in combat, Ángel returns home to his village in a remote part of the Peruvian Andes. When he arrives, however, he finds the place has completely changed. What was the 18th century is now the present day. What has become of the ideals of the revolution he fought for? The people who live in Peru today, what are they fighting for?

Elisban arrives in the city of Puno, too late to meet his friend Hermogenes, with whom he was going to work. Homeless and without money, he survives from unstable small jobs, in a city that sharpens his loneliness at every step. The inertia of continuing to walk may lead him to a better fate.

Hanan Pacha is a reflection, an analysis of Andean culture from its origins. The language used to convey ideas and emotions dispenses with narration or explanatory texts, as it is a film that adheres to a storyline based solely on images.