
Félix Fattal
Directing
Known For

In 1907 Herman Hesse spent a few days mediating and fasting in a cave near Monte Verità. During these days he collected the visions and insights that went on to be very influential in his thinking and shaped some of the most important works of his literary career. The images and sounds of this film were shot there and are a homage to this cave and its possible invocations. Grotta is part of Fieldworks, an ongoing experiment with ambient video and radio frequencies.
Grotta

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
Double Around the Interlude

It's the story of Detective Smiley's latest investigation, but it's also the story of Elias Baucasse, a missing activist. A do-it-yourself epic in 2020s France.
Detective Smiley & the Lost Friends

"Before I left today, I almost forgot to answer a lot of e-mails."
Mes indésirables

In a land at the end of the world, it is said that a magic forest exists that can make appear the being most desired by travelers who stay there, a creature from a distant memory, a dreamed present, or an uncertain future.
Les amoureux

Ian “The Machine” Freeman is a boxer. At every one of his fights, between blows, his mind drifts away to his youthful days, to the origins of his passion and violence.
I Remember Sunderland

Octave and Flora have been in a romantic relationship for a long time on an online game without ever having seen each other. While Flora burns with desire to meet her virtual lover, it is not the case of Octave, deeply complexed by a burn ravaging half his face. Weary of the situation, Flora gives Octave a date so that they can finally meet. Will their love survive this meeting?
Broken Heart

Unmistakably French in its melancholy, this treatment of an apocalyptic subject (the film takes place after some kind of global disaster) takes La Jetée as its primary reference. Like Chris Marker, Félix Fattal builds a dynamic story from static images in Après nous, le déluge. The near-total lack of movement encourages the viewer to look into the texture of the imagery itself, lending it a haptic quality.
After Us, the Flood

1 loves "0". "0" loves "1". And their passion has the power of the waves that collide with the face of the world.