Eneos Çarka

A father sends well-wishing voice messages to his filmmaker son confined in self-isolation far away from home during the Covid-19 pandemic.

Tirana’s second biggest stadium is a socialist relic past its prime that has failed to keep up with the surrounding world. It rests in a state of limbo, silent and timeless. Built with over a million point clouds after scanning the entire stadium, this posthumanist film-poem is the result of a first contact with the perennial wildflowers that had sprouted in the abandoned fields of the stadium.

Life of my grandfather, an elderly man living with dignity in post-communist Albania despite his troubled past. 

While reading the diaries of his grandfather, imprisoned during the dictatorship of Hoxa in Albania, the director recognises the pigeon outside his window that kept him company during his incarceration. A short circuit that leads him to reflect on the open wounds of family history.

A father finds refuge in memories created together with his daughter, who has been stricken with an illness. She has decided to keep her distance from him and they have not spoken for years. The film encourages her to reconsider her decision.

New movie by Eneos Çarka

The two Albanian street performers and close friends, Besi and Rafael, have been traveling through Italy for years with their mime and acrobatics act as Ping and Pong. Sometimes they have trouble with the police, but more often they receive enthusiastic applause from their audience, who are eager to have their picture taken with the two likeable performers.

Despite being a single father of three children, two of whom need special needs, Pedro enjoys life in the suburbs of Lisbon.