Writing
Beggar boy Krabat is lured to apprentice for an evil, one-eyed sorcerer. With a number of others, he works at the sorcerer's mill while learning black magic. Every Christmas, one of the lads has to face the master in a magical duel, where the boy never stands a chance because the master is the only person allowed to use a secret spell.
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An artistic documentary based on a report of the same name from Ladislav Mňaček's book Where Dirt Roads End. A psychological reflection on the feelings of an individual who operates like a modern, fully automated control room of a large hydroelectric power plant. His subjective ideas intertwine with the environment of the workplace, accompanied by the music of J. S. Bach.
Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands.
Two magicians, Mr. Schwarzwald and Mr. Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
On a lonely island, where Odysseus has to serve the nymph Calypso, he remembers his great adventures: the glorious victory over Troy; the curse of the sea god Poseidon, whose son he overpowered; the wrestling with Circe, the Lotophagi, the Sirens with their enticing death song and the battle with the bloodthirsty Scylla. Penelope, his wife, meanwhile fights against intrusive suitors who want to kill Odysseus. Athena sends him his son as a savior, who defeats Proteus, Poseidon's vassal. Odysseus is able to free himself from Calypso. Disguised as a beggar, he returns home, punishes the suitors who are after his money and is reunited with Penelope.
From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s inimitable point of view.
