Vladimir Vulević

A normal working day on a construction site. Thomas, a 40-year-old crane operator, receives a call from his wife asking him to pick her up from the hospital. He finds her crying.

At 18, a young man commits to 17 years in the military. Inside the system, he witnesses things he hadn't thought possible.

Although director Olga Kosanović was born and raised in Austria, she is not allowed to be Austrian. Her first attempt at naturalization failed. One contemptuous social media comment summed it up: “If a cat gives birth in the Spanish Riding School, that doesn’t make the kittens Lipizzaners.”What notion of identity underlies a legal system that divides society into “us” and “them”? A film about belonging — and about a second attempt.

Ida lives on a sailing yacht with a crew of five men. While on shore leave in Marseilles, she becomes fascinated with the French Foreign Legion and decides to sail to Sidi Bel Abbès, the Legion's former headquarters in Algeria.

People are mostly complicated, but sometimes things really are that simple. Three encounters.

The daily life of Mihajlo, a factory worker in a neglected industrial town. Testimonies about his life are given by the people around him. At times, these people are seen as part of Mihajlo’s daily routine, but after the character leaves the stage, their voices remain as the narrator. What they don’t know is that Mihajlo obsessively steals tools from the factory and suffers from lost love. And they can’t anticipate what is going to happen one morning.

Olga Kosanović reveals the unfair absurdity of Austria’s right to residence. The single father Vladimir wants to work to be able to stay in the country with his daughter. But if he doesn’t have a residency permit, he’s not allowed to work. From this paradox, the film filters a humanistic indictment of cynical domestic policies in the land of insurmountable peaks.