Gusti Kreissl

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Königlich Bayerisches Amtsgericht is a German comedy television series. It was produced by ZDF in the years 1968 to 1972 and contains 52 episodes. It is set in the German Empire shortly before World War I and revolves around the court proceedings of the Königlich Bayrisches Amtsgericht in the fictional Bavarian small town Geisbach. Almost all actors speak with a Bavarian dialect. The series features many famous Bavarian actors like Gustl Bayrhammer, Hans Baur and Max Grieser.

Eight Hours Don't Make a Day (German: Acht Stunden sind kein Tag) is a West German television drama miniseries written and directed by Rainer Werner Fassbinder. Commissioned by Westdeutscher Rundfunk, it broadcast in five episodes between 1972 and 1973. In Cologne, West Germany, young toolmaker Jochen's world is explored, including those around him: the woman he loves, his eccentric family, and his fellow workers, with whom he bands together to improve conditions on the factory floor.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

Hans is a street fruit peddler and born loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However, the more he becomes a credit to his family, the more depressed he becomes.

Bettina Sanden, a solo dancer at the opera, falls ill with polio. The chances of a cure look rather slim.

In April 1920, the Bavarian writer Lena Christ put an end to her own life in the Munich Waldfriedhof. The film tells the story of the tragic life of this unhappy woman.

The local council of the Bavarian village of Mooskirchen has ambitious plans for the small town. Mooskirchen is to become a tourist destination, but this requires money, because at the moment there is not even an access road to the highway, let alone such "attractions" as a spa or a swimming pool. When one day a letter arrives at the town hall informing the community that Mooskirchen has received a huge inheritance, all problems seem to be solved. However, the inheritance is a huge plantation in Africa, valuable but very far away. Ferdl Lechner, the mayor of Mooskirchen, decides to travel to Africa with his friend Karl Köpfle to officially take possession of the inheritance. First of all, they go to Hamburg. The two rustic Bavarians want to enjoy life in the big city for a while, but the two provincials are not up to this kind of jungle.

A young woman wants to know who is responsible for the death of her parents. Ten years ago, little Sonja and her brother Niki Schmitt lost their parents in a car accident. Mayor Gassner provided accommodation for the two at that time. Sonja now returns to her hometown to solve the death of her parents. She blames Mayor Gassner until she learns the whole truth.

The father of young maiden Wally wants to force the girl into a marriage.

In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love.

A demure teacher temporarily steps into the shoes of her late grandmother, a celebrated revue singer and socialite from the turn of the century, but ultimately chooses a quiet, domestic life.

The children Sonja and Helmut Schmitt have lost their parents in a car accident. At first, their grandmother takes over the supervision and care of the two. When she no longer can take care of that due to her health, mayor and brewery operator Gassner provides them a new home. By doing this, he secures respect and approval in the village. What really happened isn’t suspected by anyone: The egocentric Gassner let his underage daughter drive his deregistered, medium-green old Mercedes. During that ride without a license, she caused the accident and forced her father to do an outwardly “good deed”. Because, if the truth came to light, Gassner would have to fear a defeat in the upcoming mayoral elections and damage to his reputation.

The year is 1800. Leopold von Röckl and Ferdinand von Wangenheim, two extremely fun-loving guards lieutenants, before whom no coat is safe, leave the residence of the sovereign for a while - and for good reason: Leopold has begun an affair with Princess Gabriele, the sovereign's daughter, and the excitement surrounding it should subside somewhat in his absence; Ferdinand, meanwhile, travels to see Privy Councillor Krallinger, who is supposed to teach him a little about manners.

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