Directing
Mexico DF.; 70's. 30 buildings. 904 apartments. 5000 people. 3,000 exiles. Alejandra, 3 years old, Chilean. Pablo, 2 years old, Argentine. Villa Olímpica, your place in the world. Years later, end of the dictatorships in the south. The return of the parents is the exile of the children. The largest exile community in the world becomes a diaspora. Leave everything behind and start over.
Juan struggles to finish his film, while his neurotic and disturbed mind plays tricks on him, mentally and even physically. It becomes increasingly difficult for him to distinguish between reality and his ego's imagination.
Mexico, 90s. After 70 years of "dictabation", inequality and telecracy, the country woke up. With the wounds of '88 still fresh, the murder of Colosio and the uprising of the EZLN overflowed with indignation. Toros Neza was his reflection in football.
Panzeri was an honest man, a critical journalist, a freethinker. He faced power and died alone and forgotten. Kohan is an outsider obsessed with doing justice, getting Panzeri out of ostracism and bringing him back to this world. Without Panzeri, football has only a few days to live.
Twenty individuals revisit the most painful moments of their lives, transforming their struggles into profound acts of creation. Through the meticulous crafting of models, they confront the seemingly unbearable, finding resilience and meaning in the process. These are stories of raw courage and human tenacity—journeys into darkness that emerge with a radiant, boundless light.
Documentary film about soccer and the passion it unleashes in a country qualifying for a world cup. During eight years of following the Chilean national team, the features and nuances that make up our society are reflected in both defeat and victory, trying to answer what mystery this sport has that makes it the most popular in the world.
