Cvetana Igová
Acting
Known For
No description available.
Dnes v jednom domě
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Návštěvní hodiny
Christmas is approaching and with it comes moments of surprising events and unexpected encounters. For example, such as those experienced by two inseparable friends and bachelors. Saša is looking forward to finally enjoying life and also really forces Karel to go to entertainment venues. But everything changes by chance, because when Karel moves, he discovers that his first love Eva, whom he once lost due to his indecision, lives on the floor above. The meeting on Christmas Eve turns out to be fateful...
O Vánocích už nechci slyšet ani slovo
Despite the initial mistrust of others, former glass worker Štěoán Urban becomes the founder and first chairman of the local agricultural cooperative. However, 1968 arrives and with it comes previously unexpected problems.
Tam kde hnízdí čápi
A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!
Grandmothers Recharge Well!
Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.
Kouzelníkův návrat
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Přišel na večeři
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