Aram Coen

On the eve of legalization a marijuana grower is brutally murdered. His best friend, against the advice of his mentor, teams up with a suspended narcotics investigator to find the killer.

A lonely man's relationship to his doppelganger leads to plagiarism.

The collision between two cultures explodes in one household as all three wait for Javier's immigration papers. A dark comedy that explores immigration, mental health and the magnetism hiding as aversion.

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

In a café, a young woman, Eva, and a middle aged man, Wanja, engage in a heartfelt conversation about love, family, and the complexities of relationships while waiting for their dates. A revelation leads to an unexpected turn and a surprising realisation.

The collision between two cultures explodes in one household as all three wait for Javier's immigration papers. A dark comedy that explores immigration, mental health and the magnetism hiding as aversion.

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Outside In examines the hard science behind a movement of healthy home design called biophilia, which suggests that building healthier homes can affect positive changes in our blood pressure, heart rate and stress hormones.

Hannah expected it to feel different hosting a fugitive in her home. Gratitude, connection, friendship...but no. She takes great efforts to offer Yulia a warm, open-hearted retreat, but for weeks the two women remain strangers to each other. Hannah wants to change that. But for that to be possible, she has to understand that she cannot force affection and trust and that true mercy is not linked to expectations.

A young woman gets away for a romantic weekend with her new boyfriend and is eager to win over his friends. Some Girl is a film about hidden violence — not only the harm done to one person, but the impact on everyone who chooses not to look too closely.