Fábio Rogério
Directing
Known For
No description available.
Operação Cajueiro: um carnaval de torturas
No description available.
Olhos Livres
No description available.
Vim e Irei Como Uma Profecia
No description available.
Crepúsculo das Deusas
A black-and-white film.
A Última Valsa
No description available.
O homem do fluxo
The death machine needs to maintain its longevity to expand and profit.
Cama Vazia
Those who enjoy hot baths inhale its warmth, which penetrates their spirits. This makes them joyful and often leads them to sing (Ibn Khaldun, 1377).
Cantando no Chuveiro
No description available.
Performance com Uísque
Based on a montage of mandatory political propaganda for the 1989 presidential election, the film presents a debate on politics in the country through a reflection on the speeches of the main candidates.
Impávido Colosso
No description available.
O Arquivo de Ivan
An old man is tired of celebrating his birthday.
Message from Sergipe
No description available.
Eu Não Sei Dançar, Mas Danço
No description available.
Este Cinema Tão Augusta
No description available.
Um certo cinema brasileiro
No description available.
Homenagem a Kiarostami
An intimate, experimental documentary in which co-director Wesley Pereira turns the camera on himself to explore his daily life, desires, and inner turmoil. Set in his home in Sergipe, Brazil, the film blends mundane routines with candid reflections on sexuality, erotic desire, cinephilia, and mental anguish. Openly gay, Wesley examines his own vulnerability, shame, and longing, creating a raw portrait of queer existence and self-exposure. Fragmented and non-linear, the film stretches time and emotion, embodying its title: one minute can feel like an eternity when suffering. It is a bold, introspective meditation on identity, isolation, and the challenges of living authentically.
One Minute Is an Eternity for Those Who Are Suffering
No description available.
A Eleição é Uma Festa
No description available.
Bolsonaro reeleito, Brasil campeão e todo mundo feliz
Based on a montage of mandatory political propaganda for the 2014 presidential election, the film presents a debate on the political direction of the country through a reflection on the speeches of the main candidates and the role of image in the construction of these speeches.