Steinþór Birgisson

Ragnar, straight out of hospital, orders a taxi-driver around Reykjavik in order to find a three layered chocolate box. He wants to repay a nurse for her good service at the hospital. After each unsuccessful stop at various grocery stores, his daughter, Hrönn, gets increasingly agitated in the back seat of the cab. Tension between father and daughter build to a peak, and it becomes crucial for Hrönn to confront her father for the first time in her life.

When Mikhail Gorbachev rose to power in 1985, his reform policy sparked an independence movement in Estonia, Latvia and Lithuania. But as cries for help from the Baltic States were met with silence from the international community at large, two small nations – Iceland and Denmark – answered the call, motivated by the personal connections of their foreign ministers, Jón Baldvin Hannibalsson and Uffe Elleman Jensen.

The Icelandic parliament has been presented with a bill which will allow the Institute for State Supervision to create a SuperCode Databank which will centralize all other databanks based on personal ID numbers; with this SuperCode the Institute can follow and monitor everyone’s behavior. Hannes, a middle-aged man who still lives with his aging mother, works at the Institute, and he is the originator of the idea. Hannes has already secretly started working on it on his computer, even though it is uncertain that Parliament will agree to it. Hannes is in love with Stefania, the new secretary in the Institute, and hopes to impress her with his “private” SuperCode Databank. But one day, Hannes’s computer, containing the databank, is stolen. Hannes is afraid of the consequences if it is discovered he has been working on the SuperCode illegally. He starts trying to catch the thief himself only to become a victim of the very systems he has believed in and worked so hard to strengthen.

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Eric has a romantic candlelight dinner with his girlfriend lined up, but his plans are thrown into turmoil when someone unexpected knocks on his door and is not about to leave.

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Hera and Orri experience a night of adventure in downtown Reykjavik. Excitement and attraction is in the air. In the morning light, the glow from the night before abruptly disappears.

The expedition is lead by Simon Yates, known as “the man with the knife”, who became world famous when the film “Touching The Void” came out. The Ama Dablam expedition went through despite a serious accident on the planned route in 2006 when six climbers were killed in an avalanche. Ama Dablam is a film about two ordinary guys and their adventure with one of the most famous mountaineers of our times. It’s an adventure film for general audiences.

During the invasion of Gaza in 2008-2009 by the Israeli army, 1400 people were killed - there of 400 children. By the time the last cries of protest died down those names were already forgotten.

Over the course of a year, we watch the bridge builder Haukur Karlsson and the musician Pál Pamphichler Pálsson at work, including the Eyjafjöll region on the south coast, Hvalfjörður and Skeiðarársandur, and Páll rehearsing the Reykjavík Brass Band for its anniversary concert, conducting the Icelandic Opera Orchestra in Der Fledermaus and having a work of his performed at a large open-air concert in Austria. The film suggests that all there certains themes common to all work, and that these men's occupations are not as different as they may seem to be at first glance.

The Laxá Farmers is about old farmers who 40 years ago blew up a dam to save their valley. They had protested for years but were losing the battle and being chased off their land when in the middle of the night they brought out the dynamite. This event marks the birth of environmentalism in Iceland. The farmers won a court case against them by sticking together and all confessing. For 40 years they have never revealed the secret. Until now.

Searching for Rajeev is a documentary film about an Icelandic girl who decides to go to India in the hope of finding an Indian freind of her´s who used to live in Iceland. Ten years have passed since he left Iceland and Birta has very little information about where he lives.

He is accused of a good deal; collecting all kinds of rubbish around the refectory farm, allowing the place to deteriorate and general incompetence as a farmer. In addition, he is said not being able to control his temper, to have isolated himself from his flock and because of his oddness and idiosyncrasies his sanity has also been questioned. Is Reverend Jón an incompetent priest? If so, why isn’t he allowed to stay at his farm? Is it because he underfeeds his sheep? Or is it because members of the congregation want to get their hands on his eider down farm for themselves? Or is it simply his appearance, contradicting the accepted notions of what a pastor should be, that has triggered the hostilities towards him.

Haunted Trails is a drama documentary about the relationship of Icelanders with history and histories, the relationship of the living with the dead, about the sex life of ghosts and packed lunches. It attempts to capture the quiet joy of making sense of one’s surroundings and heritage, regardless of how bleak, indistinct and mystifying the pretext. What remains, is a vivid image of the Reynistaður brothers’ diet and recurring apprehensions.

In the late fifties Iceland was isolated and backwards. Industrialisation had really just begun and the country was taking it’s first steps towards the ultra-modern society we know today. The US military set up a base next to the sleepy fishing village of Keflavik on the south coast turning everything on it’s head. The Americans outnumbered the locals three to one. Culturally it was as if a UFO had landed. The young people were more open to cultural influences than the older generation and this triggered a rock and roll explosion which then swept the rest of the country. It was the birth of Icelandic teenage culture. Because of Iceland’s location right between America and Europe the cultural influences mixed to produce an unique blend.

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The scholar Sveinn Bergsveinsson, a Communist in the 1930s, was trapped in Berlin by the outbreak of World War II and forced to work for the Nazi propaganda machine. Returning to Iceland, sick with tuberculosis, he found himself branded by both sides of the cold war political divide and barred from academic work. In desperation, he emigrated to East-Germany where he became a respected professor. He always hoped to return home but died in East-Berlin in 1988, a year before the wall came down. He left behind a wealth of documents, photographs, film and voice recordings which form the basis of this narrative.

When the first Icelandic engineer returned to Iceland from his studies in Denmark a hundred years ago most Icelanders lived in great poverty in dark turf houses as thet had done for centuries. One could hardly speak of any roads, only some trails formed through the centuries by man and animals. There where no bridges over the rivers, only one lighthouse and no man-made harbour to speak of. This documentary shows the evoliution of technology in Iceland and the great changes that the society has undergone since the first engineer arrived with new ideas and knowledge that has turned Iceland into a highly modern society in a very short span of time.

Four experienced boatbuilders join forces in building a clinkboat of the type that was once predominant in the Breidafjord Bay archipelago in the West of Iceland. In this film the history and craft of the North European clinkboat, and its many local variations, is examined with the help of historians and boatbuilders in Iceland and other Nordic countries.

Guðbergur Bergsson is an Icelandic writer born in Grindavík on 16 October 1932. He went to the University of Iceland for his Teaching degree and then went for further study in literature at the University of Barcelona. He is one of the leading translators of Spanish works in Iceland. His first book came out in 1961. He has had twenty books in all including poetry and children's literature. He has won the Icelandic Literary Prize twice. In 2004, he won the Swedish Academy Nordic Prize, known as the 'little Nobel'. In the film we see Bergssons super-8 films from Francos Spain and Lisboa during the revolution in 1974. Even his life as a writer and critic of the icelandic society.