Patrick Driver

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

Closet witch Diana Bishop and centuries-old vampire Matthew Clairmont are drawn into a deadly mystery and forbidden romance when a magical book shows up in an Oxford library.

Peep Show follows the lives of two men from their twenties to thirties, Mark Corrigan, who has steady employment for most of the series, and Jeremy "Jez" Usbourne, an unemployed would-be musician.

Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg. Fancy a tea break with David Brent? Classic comedy from the archive.

Two siblings share their Friday night dinners at their parents home and, somehow, something always goes wrong.

British anthology series of ghost stories.

The Last Chancers was originally a one-off television sitcom, screened under the Comedy Lab banner at 11:40pm on Thursday 21 November 2002. This show was later developed into a five-part series which was broadcast on E4 in December 2002. Johnny, Paul, Dan and Brian are a bunch of twentysomethings living in Brighton and struggling to make something of their band.

A young man, Stevie, awakes on a wasteland overlooking Bradford, still bleeding from a brutal attack that has left him with severe memory loss. Recent events are a total blank; his more distant memories are a blur. He slowly begins to piece together his identity: his name, his home, his family. At first it appears he returns to his former self but through a series of painful flashbacks and encounters, he comes to learn of the dark and disturbing events that led to his beating. Ashamed to learn of the person he has become – and the dangerous world he became mixed up in – Stevie realises he will have to pay. But at what price?

Shakespeare’s most outrageous comedy, The Taming of the Shrew introduces one of theatre’s great screwball double-acts, a couple hell-bent on confusing and outwitting each other right up to the play’s equivocal and controversial conclusion.