Leila Itkonen

Uuno Turhapuro is a lazy man who abhors manual labor, but has the ability to talk himself out of any sticky situation, usually with his long-suffering wife. In this, his first feature film appearance, Uuno embarrasses his wife in public, tricks his best friend, accidentally goes on a diet, and becomes a famous violinist.

Kummelin Jackpot, was released in February 2006. It was about a divorced man portrayed by Silvennoinen, who realises a way to trick himself a jackpot in football betting.

Train driver Ilmari Perttula falls in love with Inkeri, the young wife of his elderly friend, railway guard Iikka Junkkari. Meanwhile, Martta, the daughter of a colleague, pursues Ilmari. Over time, Iikka becomes aware of the relationship between Inkeri and Ilmari.

The cold and ruthless Bruno is married to Karen. Together they seek out poor and defenseless people offering them life insurance policies. Bruno and Karen make sure that it pays off. A movie about insurance scams. Inspector Susikoski investigates.

Jussi, a student admired by all women, is inadvertently selected to represent both left-wing and right-wing parties in the parliamentary elections. All Jussi cares about is the beautiful, blonde Irmeli.

Mauritz Grafvenhjelm, alias Moppe, an impoverished nobleman, and his friend Ville enjoy a carefree life as vagabonds in summery Porvoo until Moppe finds a large sum of money and receives a reward for it. After celebrating thoroughly at the Belvedere restaurant, he wakes up in the morning in a cell with no memory of what happened and learns that he has become engaged to the restaurant owner, Miss Svea Jonson.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.