Bohumil Křížek

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Muž na radnici was a Czechoslovak television program which was broadcast in 1976. The program was directed by Evžen Sokolovský. In 2011, it was announced that the program, along with 17 others, would be released on DVD within three years.

In the era of normalisation, a number of (pseudo)historical films were made, even described as reconstructions, which glorified the world-building mission of the Communist Party and attributed to it exclusively humanitarian intentions ("Days of Betrayal", "Sokolovo", "Liberation of Prague", "The Victorious People"). In 1929, when its fifth congress met, Klement Gottwald, who had taken the line of the Russian Bolsheviks, took over the leadership of the Communists...

Soviet engineer Kuznecov is coming to Prague as an expert on work with the tunneling shield in construction of the metro. He is returning after more than thirty years. In May 1945 as a young soldier in the Red Army he was seriously injured in the liberation of Prague and while recovering experienced a great love with a young teacher called Vera.

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Françoise, a French sociology student, moves to Czechoslovakia to write her thesis. She falls in love with Pavel, a professor. But the events of the "Prague Spring" begin and Pavel decides to collaborate. Françoise returns to France and meets up with her militant friends on the eve of the events of May 68 in Paris.

An American spy agency located in West Germany is interested in information concerning Czechoslovak commercial activities in the Middle East. Agent Rudolf Karlik creates a network of associates in Prague...

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A VB officer regulates the arrival of fans at Sparta. He'd like to go too, but there are more fans in their ranks and they have to rotate duty. So he just asks for the scores of everyone he knows in the street and elsewhere. He visits a pub, chats with the barmaid and invites her to watch the end of the game right on the pitch, by then he'll be off duty. But on his next errand, he is stopped by a frantic father whose wife has just given birth...

A rumour that a large holiday resort is supposedly being built on the banks of the local pond causes confusion among the villagers.

A dedicated chairwoman of the Communist Party of Czechoslovakia in cooperation with a StB major clears a politically immature researcher of the charge of aiding subversives...

Those who take too long to choose their life partner usually take too long - so goes the old saying. Even a long indecisive girl, who is looking in vain for someone who would fully impress her, is convinced of its truth...

A ballad story from the life of the inhabitants of the Moravian Beskydy Mountains. The heroine is a young woman, Františka Plesníková. Františka's lover was killed by a falling tree before he could marry her, and the girl faced the bitter fate of a "roll" of illegitimate mother. Františka fought with all her might for a better life for her son Metúdek. For his sake, she eventually married an old widower farmer, Podešva. However, she soon realized that her marriage had not benefited either herself or her child.

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The year is 1918. Toník returns home from the front. In Kladno, where he arrives, things are seething with discontent. The Social Democrats are in government, but nothing has changed. Socialization has not been implemented, there is hunger and food is still being skimped on. The first news about a socialist state arrives from Russia. On May 1st, the workers' Kladno manifests its loyalty to the ideals of the Great October Socialist Revolution. In December 1920, a general strike is declared in Kladno as well. The workers arm themselves, workers' councils take over the administration of the city and are also established in the surrounding villages. An armed uprising is being prepared. However, the right-wing leadership of the Social Democratic Party attacks the workers in the back. The army is sent to Kladno...

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

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