Acting
Any new Met production of Verdi’s beloved tragedy La Traviata would be noteworthy, but Michael Mayer’s dazzling staging, which premiered during the 2018–19 season, was doubly significant as it marked Yannick Nézet-Séguin’s first performances as the Met’s Jeanette Lerman-Neubauer Music Director. On the podium for this Live in HD transmission, Nézet-Séguin leads a starry ensemble. As Violetta, the consumptive heroine fighting to find true happiness, soprano Diana Damrau delivers yet another compelling portrayal on the Met stage. Tenor Juan Diego Flórez sings his first Verdi role with the company, as Violetta’s ardent yet impetuous lover, Alfredo, and baritone Quinn Kelsey rounds out the principal cast as Giorgio Germont, Alfredo’s implacable father.
Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.
Madcap physical comedy and impeccable coloratura come together for Natalie Dessay’s indelible portrayal of the feisty tomboy raised by a regiment of French soldiers. Juan Diego Flórez is the young Swiss villager who conquers her heart—and a slew of high Cs. Also featuring uproarious performances by Felicity Palmer and Alessandro Corbelli, as well as a cameo by Tony Award winner Marian Seldes, this laugh-out-loud production was a runaway hit that left audiences exhilarated.
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Musical documentary dedicated to the first Peruvian guitar, Don Oscar Avilés. It tells the history of the Master through the testimony of family, friends and musicians who had the privilege of being witnesses of part of his 90 years of Peruvian life and 75 of artistic life.
Juan Diego Florez stars in the only available DVD version of Zelmira, filmed at the celebrated Rossini Festival in the composer s home town of Pesaro. The final opera Rossini wrote for Naples is a dramatic and musical tour de force and a magnificent showcase for the bel canto superstar of our time. Recorded in high definition at the 2009 Festival, Giorgio Barberio Corsettis production places the classical tale, set during the Trojan Wars, in modern times and modern dress Joining Juan Diego Florez are a major international cast, described as near miraculous by Opera Today and led by American mezzo-soprano Kate Aldrich in the virtuosic title role But the evening remained another distinguished triumph for Juan Diego Florez as Prince Ilo, whose arrival in his homeland, to rescue Zelmira, was marked by a dazzling tenorial display which evoked a nearly twenty-minute ovation
Three young Peruvians born into extreme poverty begin studying music thanks to a social project spearheaded by tenor Juan Diego Flórez, one of the great talents of contemporary opera. The film follows the lives of Alondra, Diego, and Imanol over three years, revealing how, little by little, music changes their destinies by broadening their horizons and giving them the opportunity to dream of a better future for themselves and their families. A documentary about the power of music education to empower individuals and transform society.
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
Juan Diego Flórez dazzled audiences and critics alike when he played the virtuoso role of Orphée in La Scala’s first ever staging of Gluck’s opera in its French version: “Juan Diego Flórez delivered a lesson in style. His tone is darker and his projection more self-effacing than in the past, but class is permanent. His agility and legato are utterly thrilling. The ovations were never-ending.” (Corriere della sera) The present release is a production by Royal Opera House, Covent Garden, London Recorded live at Teatro alla Scala, Milan, March 2018. Gluck’s Orpheo ed Euridice was first performed in 1762. It is the first of Gluck’s “reform” operas, in which he attempted to replace the abstruse plots and overly complex music of opera sera with a “noble simplicity” in both the music and the drama. The present production was staged by Hofesh Shechter and John Fulljames.
Rossini’s charming take on the Cinderella story features a brilliant cast, led by bel canto stars Joyce DiDonato in the title role and Juan Diego Flórez as her Prince Charming. Alessandro Corbelli delivers a comic tour de force as Don Magnifico, Cinderella’s stepfather. Pietro Spagnoli is Dandini, the Prince’s valet, who, disguised as his master, puts the prospective brides to the text, and Luca Pisaroni is the philosopher Alidoro, who takes the place of the fairy godmother. Met Principal Conductor Fabio Luisi leads Cesare Lievi’s whimsical production.
A dramma giocoso at the Teatro dell'Opera in Rome, set to music by Gioachino Rossini. Libretto by Jacopo Ferretti based on the French libretto by Etienne for Isouard's Cendrillon.
An all-star cast assembled for the Met’s first-ever performances of Rossini’s romantic retelling of Sir Walter Scott’s epic poem The Lady of the Lake. Joyce DiDonato is Elena, the title heroine, who is being pursued by not one, but two tenors—setting off sensational vocal fireworks. Juan Diego Flórez is King James V of Scotland, disguised as the humble Uberto, and John Osborn sings his political enemy, and rival in love, Rodrigo Di Dhu. Complicating matters is the fact that Elena herself loves Malcolm, a trouser role sung by mezzo-soprano Daniela Barcellona, and that she is the daughter of Duglas (Oren Gradus), another of the king’s political adversaries. Paul Curran’s atmospheric production is conducted by Michele Mariotti.
In this high-definition film of Bellini's historical bel canto drama, "I Puritani", tenor superstar Juan Diego Flórez is partnered by new young Georgian soprano Nino Machaidze, in her first appearance on a Decca DVD. Joining them in a striking new staging by Pier'Alli at the Teatro Comunale di Bologna is celebrated bass baritone, Ildebrando D'Arcangelo (DG). The context is England's Civil War between the Roundheads (the Parliamentarians, or Puritans of the title) and the Cavaliers (Royalists). A love triangle between Arturo (a Puritan), Riccardo (a Royalist) and the beautiful Elvira results in a drama of escapes, disguises and captures, during which Elvira loses her reason, before a final pardon restores her senses and unites her with her beloved Arturo. The lead tenor role is notoriously difficult and Juan Diego Flórez shows no strain or difficulty throughout the role. Opera fans will undoubtedly be impressed with the overall production and the tenor's performance in particular.
Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.
In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.
Both Florez and Diana Damrau brought their bel canto expertise and superb vocalism to the service of Verdi's music. The Rigoletto, Zeljko Lucic, ran the gamut from tenderness with his Gilda to thundering fury with everyone else. I also liked the production. At first, when Rigoletto was putting on his grease paint during the overture, I was afraid that it might be a typical "Euro-trash" production, with a bit of warmed over I Pagliacci. But the sets and dramatic action really served the music and libretto. I would have to say that I came to a deeper understanding and appreciation of the story and characters as a result of seeing this performance.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
Performance 07.03.2021 at Vienna State Opera
Juan Diego Flórez takes on the lead role in this performance of Rossini's opera at the 2012 Pesaro Festival. Corradino (Flórez), a paranoid, misogynistic lord, is in the care of Aliprando (Nicola Alaimo), a doctor who is concerned that the poor spirits of his employer will damage his health. He duly attempts to make Corradino fall in love with the beautiful and self-willed Matilde (Olga Peretyatko). Will the plan succeed?
Documentary about an emblematic institution of the Spanish Arts, Madrid's Teatro Real, or Royal Theatre, released to celebrate it's 2nd centenary anniversary.
