Acting
Film about a small-time hood running afoul of a bigtime gangster. Starring Dev Anand, Kalpana Kartik and K.N. Singh.
The film is a social drama that explores themes of friendship, sacrifice, and the moral complexities of the time. While detailed plot synopses of 1950s "B-movies" can sometimes be elusive, Dost is characterized by the typical emotional storytelling of the era, often centering on family dynamics or star-crossed relationships.
Lovers Dara (Azad) and Angoori (Indira) are parted due to Angoori’s father, who does not approve of the match. But after Dara wins an athletic competition, a priest sees to it that the young couple is united in marriage. Dara and his brother, Shahbaaz, travel on business to a faraway city and encounter Rufy, the owner of the lodge where they have sought shelter. Rufy takes a liking to the handsome Dara, but Dara rebuffs her advances. Angered by this, Rufy seeks the assistance of a witch to put a spell on Dara so that he will forget his wife and fall in love with her alone.
A spoilt heiress runs away from home to be with the lover her family disapproves of, only to fall in love with someone else on the way.
After losing his family during partiton Puran is taken in by a landowner and he falls in love with the daughter, Neelu, but is unable to declare his love and then Neelu falls in love with Kamal, a young graduate from Bombay.
Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
A Nawab belonging to the Chandni Chowk area of Delhi gets tricked into marrying his daughter to the gardener's son.
A timeless romance of two souls intertwined, Laila (Nutan) and Qais (Shammi Kapoor), whose bond transcends all societal barriers. Though fate drives them apart, their love endures, resisting separation and sacrifice in this classic 1953 Hindi drama based on the legendary tale of Layla and Majnun.
Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.
Kundan is a medical student but just before getting the degree he got implicated in a murder charge and cannot finish his degree and takes the wrong path of crime. His neighbor and childhood friend Shanti who Kundan grew up with was married to Kundan at the behest of her mother but they got separated after Kundan took the path of crime. Eventually, Kundan took the job of a taxi driver and befriended a bunch of hoods, and continued with his criminal activities.
The new owners of Deepak Mahal meet with its caretaker, Mattu, who narrates the story of its' former owners: Bijondra - the only child of a wealthy Hindu Brahmin Zamindar; and Banani - the only child of a single father, Banjara Sardar Tinkari. Starting with the move to evict the Banjaras from his father's property, flute-playing Bijondra meets with and falls in love with pretty dancer, Banani - leading to being asked to leave by his enraged father; while Banani's father plans her marriage to Banjara Madhal.
A robber steals the money from a bank heists from his accomplices. He hides at his sister’s place but gets murdered. She soon is lured to a resort called the Rainbow Hotel where the other gang members also are. Soon one after another they are murdered.
