Yeung Yee-Yee

In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.

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Healthcare reform in Hong Kong is a controversial topic. The government plans to privatize public hospitals and raise funds to maintain operations. Marshall Paxton, a leading public hospital, has become a pilot for reform. This drama focuses on the everyday workings of medical professionals and the politics behind the healthcare industry in Hong Kong.

When a former actor moves into an apartment building with the intention of commiting suicide, he is saved by a Taoist priest who used to specialize in hunting Chinese hopping vampires: or Jiāngshī. Elsewhere in the building, a woman turns to a specialist in black magic to bring her husband back to life.

A woman who went from rags to riches after marrying a Hong Kong politician must chart a new course as a clandestine sleuth after her husband mysteriously disappears.

In this classic whodunit, a police detective must rely on the only witness - a parrot, to catch the killer of an armed robber.

The Wicked League (Chinese: 惡毒老人同盟) is a 2015 Hong Kong sitcom[1] series produced by Hong Kong Television Network. The first episode premiered on 22 June 2015.

Manson Law, a celebrated stockbroker in Hong Kong, is injured in a car accident. The police, led by Inspector Jack Ho, discovers a military surveillance device in the car wreck. Meanwhile, the wiretapper Joe Szema is unveiling his extensive plan that targets the mysterious financial conglomerate, the Landlord Club. The fate of these three men soon intertwines in the cat-and-mouse game that may bring down the entire stock market.

After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.

Kei is the experienced leader of a team of pickpockets — also known as "Sparrows" in HK slang. He enjoys a carefree lifestyle taking photos. One day a dashing beauty, Chun-Lei, suddenly appears in Kei's viewfinder. Kei is mesmerized. But behind Chun-Lei's attractive facade lies a mysterious past and a mission to set herself free.

"My Mom, My Ping Pong" begins with ten-year-old Yu Cheuk Wing, who is passionate about table tennis. Cheuk Wing’s skills keep improving as her coach Kwok Yat, who has come to Hong Kong through the Quality Migrant Admission Scheme, takes care of her. Cheuk Wing hates losing, and she is depressed as she suffers defeat. Moreover, she and her mother, Kong Chi Yan, are drifting apart as they do not really understand each other. Cheuk Wing is then reprimanded by Kwok Yat, and she is so frustrated that she declares she does not play table tennis anymore. Chi Yan offers her encouraging words but in vain. The duo contradict each other even more. To help Cheuk Wing overcome hurdles, Kwok Yat wants her to train Chi Yan to become a satisfactory table tennis player in one day. Cheuk Wing takes up this impossible task. Cheuk Wing uses the allure of table tennis to get closer to Chi Yan gradually. She also understands her mother and coach’s support is her strong backing.

The life story of a young man who has been pursuing an impossible love with his straight boyfriend and contemplating on the mortality of his loved ones.

Soaring property prices drive dwellers to take every insane effort necessary to secure a cramped space, even if it means sharing the same roof with the dead.

Once famous for his quick blade, a retired assassin can no longer earn a living with his cut-throat skills. Summoned again, he partners with his chauffeur to carry out special missions – fullfilling the wishes of old people looking to kill themselves. When commissioned by a young girl who has been deserted by her parents and lover, the "Elderly's Angel" squad finds an arresting way to complete its task.

When a human head is discovered, the paths of a female student, a cellist, an autistic teenager, a police officer, a prostitute, a teacher and a dog are found to be serendipitously entwined. Who caused the death? What is the motive? Where is the body? Attempts to answer these questions lead to keywords starting with the letter "G". As the case is peeled back layer by layer, the complexity and desperation of the people living in Hong Kong today are slowly uncovered, and a suspenseful multifarious Hong Kong story is revealed.

A Hong Kong hitman retires as a fisherman on the peaceful Grass Island. One day, his Chinese apprentice shows up and is tasked to kill him before the last ferry departs.

Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.

Seated in the front row of a funeral hall are a boy and a teenager, the picture of the deceased yet to be placed. A florist, Tung (Ai Wai), is consumed by grief but puts on a front for others. The boy drops by at the florist and orders a custom floral arrangement - a teddy bear-shaped wreath with his favourite yellow flowers — to be readied in three days' time and paid with money saved up in his piggy bank. Tung forges an unlikely friendship with his young customer, an encounter that releases bottled-up emotions so that healing process can begin.

Her name’s Pong, Mrs. Pong. At first glance, she’s a meek, middle-aged woman, pleasantly plump and perfectly harmless. Yet as circumstances demand it, she’s not your ordinary mother, nor a long-suffering widow for that matter. Her missions? To pull her son out of peril while standing up to bullies and saving homes from being uprooted and demolished in the name of urban renewal. Mrs. Pong effortlessly transforms from an armchair survivalist to a fearless heroine hell-bent on her mission, trading punches and kicks for frying pans and woks, awakening a rebellious spirit that wars against exploitation and oppression in a system tilted towards the rich and powerful.

Mrs. Ho, a senile and distraught widow, lives by herself in a walk-up building. For more than half a century, Mrs. Ho has been living in her flat since she was married. But, after an accident, her legs went lame. Her son keeps persuading her to sell the flat and move into a building with lifts. She refuses and she wants to hold onto the flat, her only contact with her dead husband, where they used to do tap-dance together. Of course, they weren’t Fred Astaire and Ginger Rogers but, the film makes touchingly clear, we need to listen to rhythm of their dance. More importantly, Mrs. Ho’s perseverance and strength recall the portrayal of another old woman – Ella Garth (Jo Van Fleet) in Elia Kazan’s masterpiece Wild River (1960).