David Sighicelli

After being assigned to investigate the aftermath of a catastrophic plane crash, an NTSB black box analyst uncovers chilling audio anomalies that no one else seems willing to acknowledge. As he digs deeper for the truth, he provokes powerful forces determined to silence him before he exposes a shocking conspiracy.

In 2013, Vanessa Springora recounts how she found herself under the influence of a famous writer. In 1986, she was 13; him, almost 50. The victim of a triple predation: sexual, literary, and psychic, there's more beyond her individual story. She questions the excesses of an era, and the complacency of an environment blinded by talent and celebrity.

Emilie is a bright young workaholic manager in Human Resources, working for a huge French agro-food company. But, one day, one of the employees commits suicide at the company in front of her. While an investigation is underway, stuck between her traumatized colleagues and under pressure of a powerful hierarchy, she will have to get by on her own.

Benoît, the new kid at school, is bullied by a gang of arrogant boys. Determined not to be pushed around, Benoît organizes a big party, but only three students turn up. What if this bunch of losers was to be the best gang ever?

For millions of viewers, Peter Falk is Columbo. Despite playing the quintessential blue-collar TV detective of the '70s and '80s, his early career is rarely explored. Using archive footage, interviews and extracts from his films and the TV show, the documentary pays tribute to the immortal character of Columbo, while shedding light on the actor’s life, one full of twists and turns, ups and downs.

On June 26, 1813, Austrian Foreign Minister Klemens von Metternich went to meet Napoleon Bonaparte at his headquarters in Dresden, in the Kingdom of Saxony. Although the French emperor still dominated Europe, the disastrous Russian campaign had sapped his military power. Could France continue to count on Austria's support? A nine-hour private meeting would decide the fate of Europe.

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The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?