Acting
This film revolves around Choghtu Khong Tayiji, a 17th century Mongolian prince who waged a campaign of independence against Tibetan and Manchu forces.
A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
This film shows the pain and heartbreak of a young couple who recognize the nature of their teacher, a monk who hides the evils of the world under the guise of Buddhist preaching, discover the evil of the old society, and seek the holy path of free life. WRITTEN BY D. Written based on the classic story of Natsagdorji "Tears of Lambugai".
In 1928, when scientific hospitals were introduced to Mongolia, the Russian female doctors who came to rural areas and the famous local maarambas overcame old customs, opinions, and religious influences, and showed how people's views were changed and a new morality was formed in their minds.
In the 1940s, a group of people on the mission of Japanese intelligence carried out sabotage activities against the revolutionaries. In this complicated period, the anti-revolutionary policies of the anti-revolutionaries and the responsibility of the people's vigilance protection organization were high. Dardulam and her husband Danzan were able to express the meaning of the film interestingly through the events of a family's life. is. The script was written by D. Namdag based on the idea of one of his famous plays.
