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Alessandro Ninchi

Acting

Biography

Born into a family of artists, he was the son of actress Renata Negri and Federico Ninchi, grandson of Annibale, Ave and Carlo Ninchi. He made his debut in the theater with Orazio Costa. Although his main activity was in the theater, he also had some roles in film productions, the most important of which was alongside his uncle Carlo in the drama film I colpevoli.

Known For

The Best of Enemies
6.9

During World War II, a plane full of RAF fighter crashes in the Ethiopian desert and they are met upon by an enemy Italian patrol that allows them to go free. But, when the Brits are given orders to attack the Italians, lots of problems ensue.

The Best of Enemies

1961
The Guilty
7.1

Valerio Rossello is a judge, with a rigid and uncompromising mentality. He is married to Lucia, a woman who instead follows the model of a loving and protective mother. From their union only one child was born: Maurizio. Both parents raise him completely differently, highlighting their character differences. Until the day when Maurizio, now a teenager, together with a friend commits an attack for futile reasons against a gas station attendant. Having learned of the incident, Valerio and Lucia also in this case intend to face the situation in a diametrically opposite way. The conflicts within the family thus strongly resurface, in which, amidst rebounds of responsibility, the errors of both parents emerge in the upbringing of their child.

The Guilty

1957
La canarina assassinata
N/A

An italian transposition of the S. S.. Van Dine novel.

La canarina assassinata

2008
No image
N/A

No description available.

Amore di bambola

1990
No image
N/A

In the Roman ruins, a French woman and an Italian, who do not speak each other's language, fall in love in a few minutes. But as soon as they understand each other, they quarrel. Capito?, sometimes known as La Fille de Paname et le gars de Padua, invents a love dialogue from Italian to French between two young people who meet in Rome. Built around speech and how it can be a source of connivance or misunderstanding, it tells the story of the difficulties in understanding the other. By finding Françoise Vatel in front of her camera, Luc Moullet films the nascent affection and probes this singular moment where differences end up bringing us together before gradually separating us.

Capito?

1962