Julieta Amalric

The after a crash. A woman despairs. Incessant rain dominates the space. Victim and victimizer unite in the same body. A crime, a secret is revealed. Suddenly, a witness, someone who seems to have seen everything.

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One can become involved in a subject to the point of no return. In a found-footage work using images from Amalia, the first Argentine fiction film from 1914, this short film explores a man’s obsession with a woman entangled in a political mystery during the fateful years of Rosas’ rule in Argentina.

A woman drives down the road while reviewing some events. For some strange reason, everything looks alike.