Michel Rautmann

Helen is a visual artist who isolates herself in a house to prepare for a new artistic project. Her solitude is disrupted when her wife, Angela, returns from a trip. However, Helen begins to experience hallucinations and growing paranoia, leading her to question whether the woman in her house is truly Angela or an imposter.

No description available.

No description available.

Bethany is a secretary in an agency of private detectives and needs to face her boss, Mr. Aguiar, a detective as competent as he is dramatic... Maybe not so competent.

Maria eagerly awaits a meeting.

Two experienced sneakers are planning to steal their lives, but the house may be busy.

In the rural interior of Paraná, an elderly worker, ravaged by hunger, follows the trail of a mysterious black dog that hunts to survive.

From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

Excerpt from the film "Amalgam" - part from a film essay of a fictional character. A fable and a confession.

A light leads the way, a book hides secrets.

A slow and resounding dive into the punk movement, crossed by the experience of three bands from Curitiba in the manifestation of their culture, philosophy, expression, politics and, above all, a form of resistance.

A blood-soaked crime scene: a young man's body is found hours after meeting his favorite writer.

Longing for a missed connection, a ghostly link to the past appears.

In February 2002, my father and his friend embarked on a trip to a small village on the border between Alagoas and Pernambuco in order to document the families of those who had stayed in Curitiba.

At a time when capitalism seems to have metaphysical values never seen before, it is easier to imagine the end of the world than the end of capitalism. If not, we feel that there is no way out for late capitalism if not the end of the world: a climate catastrophe that will end humanity as we understand it.

A dadaistic exercise of the image.