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When Internal Affairs officer Stéphanie investigates a young man severely injured during a chaotic Paris demonstration and finds no police misconduct, the routine case hits close to home upon her discovering the victim is from her native town.
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Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.
Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knock on her door and ask for her help.
Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder. When the shoe drops, the winner won’t necessarily be the one we expected.
A woman is about to become a grandmother. Nothing has changed in her daily life, and yet... Just like every week, this renowned actress walks to her English lesson. But on the way, and after a succession of unexpected encounters, she sees the extent to which the imminent birth of the child occupies her.
Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.
Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.
Anna happily lives with her husband, their two boys, and Simon, 6 years-old, who was placed with her by the Social Care services when he was only 18 months. When Simon’s father decides that he is ready to take his son back with him, the family’s balance is at stake. Anna is torn apart: how could she possibly let go a of child who has always called her ‘Mom’?
Mélanie, a lawyer suffering from an incurable disease, has decided it’s time to enjoy life! She whisks Benjamin, her childhood friend, off on a road trip to Spain to explore their sensuality in a brothel. Now here they are, onboard a rundown van driven by Lucas, a burly chauffeur freshly released from jail. Contrary to Mélanie, Benjamin does not seem in any hurry to arrive. Indeed, he does everything he can to prolong this improbable journey with his good friend.
Mathilde has parked her car on a lonely road. She puts on a blouse, a skirt and heels. Mathilde is about to leave her life for a few hours.
Céline, Thomas and Maxence always go by three. Just like the republican motto. They want to get married, to get a house, work, good children and eat oysters every day. Rebellious and ill adapted to the furious economical and administrative reality, they ride their burning quad bikes and travel across an afflicted France, looking for new landmarks, deserts strewn with bipeds and moments of ephemeral bliss.
A writer plots to murder a blackmailer.
