Leonardo Céspedes

After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.

An unhappy art student feels deeply disturbed and is unable to sleep. One morning, she hears the trumpeting of an eagle that seems to herald unusual times, which is further materialized with the finding of a copy of The inmaculate conception, the book by Paul Eluard and André Breton, in her apartment's incinerator.

In support of the victory of the Unidad Popular, artists create a mural on the Paseo Bulnes, located in front of the Palacio la Moneda. Among the muralists are José Balmes, Gracia Barros and Guillermo Núñez.

A collage of images showing the two faces of a society. That of poverty and that of wealth. Throughout the documentary, this antagonism is shown: populations in unhealthy conditions, and on the other hand, large showcases with mannequins.

March 1978, Stockholm Museum of Modern Art, during the exhibition “Museo Salvador Allende” a collective mural was made, there the Chilean painter José Balmes worked, together with the Swedish artists Enno Hallek, Jan Háfström, Ulf Ramberg, Stefan Telemen and Hans Viksten.

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