Acting
Abandoned House is about a group of young people in Italy who exchange stories. The protagonist Maria listens to young men and women who report on sexual abuse and warped pleasure and she seems to feel the need to manipulate their vulnerability and rediscover her own lost love. Pictures of Tuscany and the sensual light within which the young naked figures in the film bathe serve to temper the darker aspects of the film with a tangible lyricism. In the end, the scars of abuse give way to the tenderness of the visual language itself.
Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calà f) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
An intoxicating chronicle of the romantic liaisons of a group of beautiful young men and women in their Mediterranean idyll. Living in a rundown rural Italian villa, there’s little for them to do but sit around and have sex with each other.
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